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View Issues
Uncut
April 2022
VISUALIZZA IN NEGOZIO

Altri articoli in questo numero


In This Issue
CROSSWORD
One vinyl copy of Midlake’s For The Sake Of Bethel Woods
Editorial
UNCUT
“Dangle devils ina bottle/And push them from the
Instant Karma!
Pogue’s gallery
Shane MacGowan talks us through his eye-opening new collection of sketches, drawings and handwritten lyrics
Right-hand man in black
Loney Hutchins used to find songs for Johnny Cash. Now his own outlaw country compositions are finally getting heard
Que sera, Sarah!
Ex-Heavenly janglers Amelia Fletcher and Rob Pursey on keeping the Sarah Records spirit alive
A QUICK ONE
JANTO DJASSSI A magnificent band in their own
Treasure islands
The Ano Nobo Quartet embody the unique creole sound of Cape Verde – via Havana and East Berlin!
Jeremy Ivey
The Midwest farmer’s daughter’s husband steps into the spotlight
UNCUT PLAYLIST
On the stereo this month
Black water side
Sounds of the New Weird Albion
They become our songs
AN AUDIENCE WITH COWBOY JUNKIES
New Albums
ALDOUS HARDING Warm Chris 4AD
THE UNCUT GUIDE TO THIS MONTH’S KEY RELEASES
GETTING WARMER
HOW TO BUY
Q&A
Aldous Harding “I feel like I’m being shaken by the shoulders by a police officer!”
MIDLAKE For The Sake Of Bethel Woods
BELLA UNION 7/10
Q&A
Eric Pulido “It was a freeing experience to just focus on playing together
A to Z
This month…
VARIOUS ARTISTS
Ocean Child: Songs Of Yoko Ono CANVASBACK/ATLANTIC 7/10
Q&A
Ben Gibbard on the breadth of Yoko’s output
AMERICANA
Album of the month
THE WEATHER STATION
How Is It That I Should Look At The Stars FAT POSSUM 10/10
Q&A
Tamara Lindeman on jazz and the perfect title
REVELATIONS
MYD’s Pete Wareham and Kusha Gaya MELT YOURSELF
ANDY BELL
Flicker SONIC CATHEDRAL 8/10
Q&A
Andy Bell: “I had this big catalogue of unreleased music”
BINKER & MOSES
Feeding The Machine GEARBOX 8/10
Q&A
Binker & Moses on ridiculous demands
DUNCAN MARQUISS
Wires Turned Sideways In Time BASIN ROCK 9/10
Q&A
“I’ve always been a big fan of drone music,” says Duncan Marquiss
Archive
SON HOUSE Forever On My Mind
EASY EYE SOUND
BLUES BROTHERS
HOW TO BUY
Q&A
Black Key and Forever On My Mind producer Dan Auerbach: “House played his sorrowful music to uplift himself”
THE CORAL
The Coral RUN ON/MODERN SKY 9/10
Q&A
James Skelly: “We just smoked so much weed”
A to Z
This month…
TINARIWEN
The Radio Tisdas Sessions/ Amassakoul (reissues, 2001, 2004) WEDGE 7/10, 8/10
Q&A
Abdallah Ag Alhousseyni: “It felt like a bridge between our desert and the world”
REDISCOVERED
Uncovering the underrated and overlooked
THE SPECIALIST
Coleman in 1959: trickster or genius? BURT GOLDBLATT
COMING NEXT MONTH...
T hings are getting busy already for the
Ronnie Spector
Farewell Little Fireball
One of the most distinctive voices in pop music fell silent last month -a combination of street toughness and tenderness, a trademark vibrato and raw, unschooled energy. First, Stephen Troussé pays tribute to RONNIE SPECTOR, then – in an unpublished archive interview – Ronnie herself holds forth on her peerless run of 45s, hanging with The Beatles, the Boss and the New York punks and more. Finally, Nedra Talley-Ross, the last surviving Ronette, celebrates the life of her bandmate and cousin: “She was my breath.”
“She was heard”
Ronette NEDRA TALLEY-ROSS on a lifetime well lived with her cousin, Ronnie
“All those records were good to me…”
IN 2016, Uncut interviewed Ronnie Spector for our
ESSENTIAL RONNIE
THE RONETTES “BE MY BABY” [A-SIDE; 1963] It
John McLaughlin
COSMIC STRUT
A virtuoso visionary, JOHN McLAUGHLIN has steered his music into some very heavy places. He gave lessons to Jimmy Page, helped Miles Davis go electric, communed with Alice Coltrane and pioneered a monumental new sound with his own Mahavishnu Orchestra. But what lies behind his tireless quest for transcendence? “I wanted to make music that takes you into the stratosphere,” he tells John Lewis
A BUYER’S GUIDE TO JOHN McLAUGHLIN
JOHN McLAUGHLIN EXTRAPOLATION (POLYDOR, 1969) Days before McLaughlin
Fontaines D.C.
SUBTERRANEAN HOMESICK BLUES
From valiant outsiders to rock’n’roll heroes, FONTAINES D.C. have learned to be true to themselves. But how will a move away from Dublin, their home city, impact on their long-held camaraderie? “We’re there in the corner, not really fitting in,” they tell Laura Barton
DEER LIFE
Track by track through Skinty Fia
Tom Verlaine
TV PERSONALITY
Forty-fifi ve years on, Marquee Moon remains an unassailable classic. But what of TELEVISION’s guiding light, the elusive TOM VERLAINE? Drawing on memories of exacting working methods, Froggy  e Gremlin and Television’s unfifi nished fourth studio album, collaborators and bandmates separate fact from friction. “He’s remained true to himself over all the years,” hears Rob Hughes, “He’s following his instincts
BUYER’S GUIDE
Your path through TOM VERLAINE’s solo work
“IT WAS CRAZY!”
Inside Verlaine’s illstarred sessions with Jeff Buckley
Album by Album
Amon Düül II
The cult German group’s path from trailblazing experimentation to early-’80s pop
Nick Drake
THINGS BEHIND THE SUN
NICK DRAKE’s Pink Moon is 50 this month. To celebrate, Uncut has assembled friends, peers and acolytes – including Richard Thompson, Vashti Bunyan, Mark Eitzel, Joan Shelley and Joe Boyd – to explore favourite songs from the visionary singer-songwriter’s starkly beautiful swansong. Which will you love the best..?
EYEWITNESS
Ashley Hutchings on ‘discovering’ Nick Drake
VOLK STAR
O N November 11, 1999, Volkswagen premiered a
The Making Of...
Good Morning, Captain by Slint
An eerie coming-of-age allegory so intense that it caused the post-rock pioneers to split: “We had crises of belief systems or something…”
Kate Bush
LEAVE IT OPEN
Donkeys and didgeridoos. Celtic ballads and ethno-pop. Harry Houdini and the Star Wars Cantina theme. Heady experimentation and creative freedom. Welcome to The Dreaming: KATE BUSH’s “she’s gone mad” album – and the record that ushered in her imperial phase. “‘Wuthering Heights’ gave Kate licence to do what she wanted,” one eyewitness tells Peter Watts. “With The Dreaming, she took it as far as she could possibly go.”
“IT’S AN EVOLVING PROCESS”
Kate on robots and live shows
“IN THE GARDEN WITH A JAPANESE LONGBOW…”
DAVE Lawson, Synclavier player on The Dreaming, had
“WE DID IT IN BITS”
Memories of the videos
“We made friendships that lasted 40 years”
Kate’s fans recall a signing session from September 1982
Live
IDLES
Brixton Academy, London, January 19
THE SMILE
Magazine, London, January 29
Films
FILMS
Star-crossed lovers in Paris, an Afghan outcast in limbo, desperate American antiheroes and more…
REVIEWED THIS MONTH
PARIS 13TH DISTRICT Directed by J acques Audiard
ALSO OUT...
WHEEL OF FORTUNE AND FANTASY OPENS FEBRUARY 11
Books
BOOKS
VENOM’S desire to be what singer Cronos called
Obituaries
Not Fade Away
Fondly remembered this month…
Feedback
FEEDBACK
Email letters@uncut.co.uk . Or tweet us at twitter.com/uncutmagazine
Masthead
UNCUT
APRIL 2022 EDITOR Michael Bonner EDITOR (ONE-SHOTS) John
My Life in Music
Judy Collins
The folk legend celebrates the artists who’ve provided her with joy – and material! – down the years: “It’s the song that matters to me”
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