BY now most of us, I guess, will have a view on ‘lost’ albums. Should an album that has been deliberately withheld from release – in some instances for several decades – finally be given its moment in the sun? Does the excitement of hearing, say, Neil Young’s Homegrown – only 45 years late! – somehow rob it of its mystique? Or, with hindsight, can a once lost album now help us understand more clearly the motives of an artist during a certain period in their career? There are tantalising counter-narratives to consider – what if Springsteen had released the electric band version of Nebraska instead of the sparse, haunted acoustic one? There’s a lot of thinking to be done, in other words.