Anne-Katrin Purkiss/ Writer Pictures
Writing a novel was like driving to Edinburgh [from London]. You knew the _ rst ten miles very well. You knew where you were heading. And you knew a few of the places along the way. The rest you _ lled in as you went along, or perhaps discovered. KINGSLEY AMIS
Ithink that’s a pretty good analogy. If you’re writing a novel, it’s usually a good idea to know, before you put pen to paper or fingers to keyboard, how the thing is going to end. That doesn’t mean that you need to have the final scene fixed in your head. It just means that you need to have some idea of how the story arc will conclude and how the characters’ problems will be resolved.
Leggete l'articolo completo e molti altri in questo numero di
Writing Magazine
Opzioni di acquisto di seguito
Se il problema è vostro,
Accesso per leggere subito l'articolo completo.
Singolo numero digitale
June 2019
 
Questo numero e altri numeri arretrati non sono inclusi in un nuovo
abbonamento. Gli abbonamenti comprendono l'ultimo numero regolare e i nuovi numeri pubblicati durante l'abbonamento. Writing Magazine
Abbonamento digitale annuale
€58,99
fatturati annualmente
Abbonamento digitale mensile
€5,99
fatturati mensilmente