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SHELF LIFE

HARRIET TYCE

The bestselling crime writer and former criminal barrister provides concrete evidence of five books that most influenced her own writing life

©Rory Lewis Photography

My new book is called A Lesson in Cruelty. I started writing the first draft on 7 July 2022, and finished it by 31 October. Then the hard work began – it went through three structural edits and several rounds of line edits. I pressed send on the finished document about seven months after I’d finished the first draft, so the edit took nearly twice as long to do. Before I started writing it, I’d spent six months working on the plan for something completely different. The plan ran to tens of pages and by the time we were discussing relocating it from the Highlands of Scotland to the south of France I knew it was dead in the water. I gave myself a couple of days, and prayed for inspiration.

When I started writing A Lesson in Cruelty the following week I had two thoughts in my mind – I was going to stay in the field of criminal justice, and a suggestion from my editor, ‘Shawshank Redemption’ but women. A character presented herself to me, a woman about to leave prison, and I followed where she led me. Another character inserted herself a few thousand words in, a mysterious woman in an isolated place in the Highlands, so I followed her too, intrigued to find out how her story would intersect with my former prisoner. I set myself a daily target of 1,000 words and I stuck to it, though by the end I was writing far more. To say this book was unplanned is a huge understatement, and it’s no wonder that it required as much editing as it did. It got there in the end though, and I think that it has a propulsion in the writing that would have been missing if I had planned it. I wouldn’t recommend it as an approach, though – the editing was very hard at times and I wasn’t sure that I was going to be able to pull it off.

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Writing Magazine
June 2024
VISUALIZZA IN NEGOZIO

Altri articoli in questo numero


Editorial
DEAR READER
Writing, as every one of us knows, is
Writing Magazine
SERIAL KILLERS: Sweat the small stuff
Your crime stories will live or die by the villains you come up with. Bestselling crime writer Helen Fields tells you how to create a convincing killer in fiction
Piracy, pillage & plunder
How do you create characters from the past, and the world they lived in? Francesca de Tores, author of Saltblood, describes how she evoked women pirates Anne Bonny and Mary Read, and offers advice to apply to your own historical writing
TIPS AND EXERCISES FOR WRITING HISTORICAL FICTION:
1. Get back to the body In writing
The missing woman
The trope of the missing women in crime fiction takes on an altogether different meaning when you’re a Black crime writer, says author Kellye Garrett
Storm warning
Cli-fi is how writers are responding to one of the most pressing issues of our times. Leading exponent Greg Mosse explains how he turns scientific predictions into thrilling action, and how you can write your own powerfully effective climate-change fiction
Advice for writing cli-fi
I’m often asked about how I devise and
Witness TO HISTORY
With a recent novel about women in Japanese POW camps published and as her bestselling The Tattooist of Auschwit z hits the screen, Heather Morris talks to Tina Jackson about bringing sur vivors’ experiences to life on the page
ANTHOLOGY OPPORTUNITIES
Nat 1 Publishing LLC Nat 1 Publishing LLC
POETRY COMPETITIONS
The Montreal International Poetr y Prize The Montreal
INTERVIEWS AND PROFILES
NICOLA TALLIS
The historian tells Lynne Hackles about balancing life in the here and now with exploring the past
NICOLAS PADAMSEE
The author describes the extreme reading experience that set him on the path to writing a debut novel about radicalisation
CREATIVE WRITING WORKSHOPS
REAL LIFE, great stories
You and the person you used to be: This month, Jenny Alexander advises you on how to think of yourself as a character in your life writing
Your writing critiqued
James McCreet applies his forensic criticism to the beginning of a reader’s science-fiction manuscript
SETTING PART TWO
Make your fictional settings effective by concentrating on how they influence the mood of the character and plot, advises author and tutor Ian Ayris
COMMUNITY AND COMPETITIONS
The world of writing
What goes through a writer’s brain? Readers’ letters and dispatches from the wide world of writing
IN THE SPOTLIGHT: YOUR WRITING
CREATIVE NON-FICTION
Subscribers’ news
To feature in Subscribers’ News contact: tjackson@warnersgroup.co.uk
CREATIVE CLI-FI
I have been writing since I was 17
Bear truths
After publishing two fantasy novels, my first nonfiction
Get the write idea
Explore how characters relate to each other in these creative writing exercises with the theme of relationships and interactions
Novel Ideas A joy ride
Don’t believe everything you’re told about writing being hard, says Lynne Hackles
REWARDING bad behaviour
Alison Chisholm is delighted by the inventive ways the winners of WM’s Cautionary Tales competition show people getting their comeuppance in rhyme
WINNER
The Downfall of a Big-Head
RUNNER UP
Katrina
SHORTLISTED
Also shortlisted in WM’s Cautionary Tales Poetry Competition
OPEN FIRE
OPEN SHORT STORY WINNERS
RUNNER UP AND SHORTLISTED
The runner-up in WM’s Open Fire Short Story
THE FIRST FIVE PAGES
Melanie Cantor
The bestselling author describes the set- up of her new comic novel, and how important it is to get the reader onside from the offset
POETRY WORKSHOP
Connect, communicate
Alison Chisholm is impressed with a well-crafted poem about an understanding that goes beyond words 
FICTION FOCUS
TAKE ME THERE
Margaret James looks at the way certain locations become associated with books set there
MASTERCLASS
Ladies who lunch
Helen Walters explores ways of making the most of group dynamics in your fiction, with an example story by Edith Whar ton
WRITING FOR CHILDREN
KEEP IT IN THE FAMILY
In the first of a two-par ter on writing families in children’s fiction, Amy Sparkes looks at ways of setting up your family
FANTASTIC REALMS
SERIES INTENTIONS
The series is a cornerstone of sci-fi and fastasy writing. Alex Davis offers advice on building worlds and developing the overarching ‘big story’ over three books or more
THE BUSINESS OF WRITING
CHANGE IT UP
After the loss of one client, Simon Whaley explores the way every writing business needs to evolve over time to stay successful
INSIDE THE INDUSTRY
HOUSE history
Homes and houses are replete with stories. Research exper t Dr Tarja Moles tells you how to discover information about houses and the people who lived in them
Behind the tape
Exper t advice to get the details right in your crime fiction from ser ving police officer Lisa Cuttsts
Madeleine Milburn
Simon Whaley chats to Madeleine Milburn, one of the UK’s leading literary agents, about the literary fiction genre
Make the best impression
Cornerstones’ Monica Chakraver ty offers advice about writing compelling opening pages for a novel manuscript
GET PUBLISHED
You’ve read the advice – now get into print! Find the most up-to-date calls for submissions, writing competitions to enter and publishing oppor tunities to suit you and your writing in our easy-to-navigate news pages
Ware Poets Open Poetry Competition 2024
Win a £600 first prize in the contest
The Bread and Roses Poetry Award 2024
The competition is for poems with themes relevant
The Poetry Book Awards 2024
The annual international award is for books produced
The Frogmore Poetry Prize 2024
The annual Frogmore Poetry Prize invites entries of
Fiction Factory Poetry Competition 2024
For its Poetry Competition, Fiction Factory is inviting
Canterbury Festival’s Poet of the Year 2024
The 2024 Canterbury Festival Poet of the Year
Coverstory Books 2024 Poetry Competition
Coverstory Books are inviting entries of original, unpublished
GENERAL NEWS
Awards news By Gary Dalkin The Bookseller’s British
LITFEST COMPETITIONS
Hastings Book Festival 2024 Competitions The Hastings Book
SMALL PRESS OPPORTUNITIES
The Journal of Compressed Creative Arts The Journal
SHORT STORY COMPETITIONS
Fiction Factory Short Story Competition 2024 Win prizes
Shrinking margins
Increasing costs are making selling books less profitable, laments Patrick Forsyth
PRINT OPPORTUNITIES
Balestier Press Balestier Press is a UK imprint
Change in the air
Change can provide useful opportunities for the travel writer, says Patrick Forsyth
WHAT A ***!!!**!*
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