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JazzTimes Magazine May 2022 Back Issue

English
14 Reviews   •  English   •   Music (Other)
THE CELLO IN JAZZ
Even though it’s still considered primarily a classical instrument, the cello has been lurking in jazz’s back corners for more than a century. Today, a small but growing group of musicians are giving it a more central role in the music. Geoffrey Himes unearths the instrument’s jazz history and consults with modern practitioners Abdul Wadud, Erik Friedlander, Akua Dixon, and Hank Roberts.

JAZZ DOCS
For the past decade or so, we’ve been living in a golden age of jazz documentaries, from Chasing Trane and I Called Him Morgan to It Must Schwing! and Ronnie’s—plus many, many more. In some ways it’s easier to make films like these nowadays, but in other ways it can be more of a struggle than ever. Lee Mergner talks to several distinguished documentarians about the state of their art.
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JazzTimes

May 2022 THE CELLO IN JAZZ Even though it’s still considered primarily a classical instrument, the cello has been lurking in jazz’s back corners for more than a century. Today, a small but growing group of musicians are giving it a more central role in the music. Geoffrey Himes unearths the instrument’s jazz history and consults with modern practitioners Abdul Wadud, Erik Friedlander, Akua Dixon, and Hank Roberts. JAZZ DOCS For the past decade or so, we’ve been living in a golden age of jazz documentaries, from Chasing Trane and I Called Him Morgan to It Must Schwing! and Ronnie’s—plus many, many more. In some ways it’s easier to make films like these nowadays, but in other ways it can be more of a struggle than ever. Lee Mergner talks to several distinguished documentarians about the state of their art.


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JazzTimes  |  May 2022  


THE CELLO IN JAZZ
Even though it’s still considered primarily a classical instrument, the cello has been lurking in jazz’s back corners for more than a century. Today, a small but growing group of musicians are giving it a more central role in the music. Geoffrey Himes unearths the instrument’s jazz history and consults with modern practitioners Abdul Wadud, Erik Friedlander, Akua Dixon, and Hank Roberts.

JAZZ DOCS
For the past decade or so, we’ve been living in a golden age of jazz documentaries, from Chasing Trane and I Called Him Morgan to It Must Schwing! and Ronnie’s—plus many, many more. In some ways it’s easier to make films like these nowadays, but in other ways it can be more of a struggle than ever. Lee Mergner talks to several distinguished documentarians about the state of their art.
read more read less
According to the latest edition of The All-Music Guide, JazzTimes is arguably the number one jazz magazine in the world. JazzTimes, America's Jazz Magazine, provides comprehensive and in-depth coverage of the jazz scene. In addition to insightful profiles on jazz stars new and established, every issue contains nearly 100 reviews of the latest CDs, books, videos and performances. Winner of many awards for journalism and graphic design, JazzTimes features lively writing, stunning photography and sophisticated design. JazzTimes is also the sponsor for jazz festivals worldwide. Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike.

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Great quality

Really great for all those plans of jazz music with up-to-date information Reviewed 09 April 2022

Articles in this issue


Below is a selection of articles in JazzTimes May 2022.

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