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Kevin Morby



City Music, the fourth solo album from former Woods bassist and Babies founder Kevin Morby, is a wistful love letter to the cities in the US songwriter’s life. A rapid follow-up to 2016’s excellent Singing Saw, its opener Come To Me Now is a beautiful widescreen tale of numbing solitude, beaters falling gently on toms, and Morby’s Dylan-esque vocals floating wearily into the city air. The title track takes its time and builds from gently, chiming guitar beginnings to a clattering rabble-rouser. Crybaby has a healthy splicing of The Velvet Underground in its DNA, as does the fragile, world-weary Dry Your Eyes. The 100-second blast of 1-2-3-4 is a wanton tribute to The Ramones, featuring the kind of economic, effortlessly cool guitar The Strokes used to excel at. Indeed, if there’s one city above all others that is most audibly ingrained in City Music, it’s New York. Morby paints from a wide palette and, across his quartet of records, has become a songwriter of rarified quality.

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About Long Live Vinyl

On sale 50 years to the day after The Beatles released their timeless masterpiece Sgt. Pepper’s Lonely Hearts Club Band, issue 4 of Long Live Vinyl tells the full story of one of the greatest albums ever made, as well as taking an in-depth look at the new Anniversary edition masterminded by Giles Martin. Elsewhere, we round up the essential 40 jazz records, take a crate-digging trip to Orlando, get the lowdown on the new American Epic TV series with Jack White, T Bone Burnett, Elton John and Robert Redford, and Fleetwood Mac’s Rumours goes under the microscope in our Classic Album feature. We also meet Sonic Youth noisenik and record collector extraordinaire Thurston Moore, profile Classic Album Sundays and bring you the most comprehensive range of vinyl-related reviews anywhere!