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Digital Subscriptions > Prospect Magazine > November 2017 > Recommends




National Theatre, 4th November to 24th March

Another month, another production by Ivo van Hove—this time of Sidney Lumet’s Oscar-winning 1976 film Network, a dystopian media satire written by Paddy Chayefsky, newly adapted by Lee Hall. The main attraction is Breaking Bad’s Bryan Cranston in the role of a TV anchor-man sliding into dementia and meltdown. It’s a controversial project for the NT, with outside producers parachuting in Cranston, supported by Michelle Dockery (Downton Abbey) in Faye Dunaway’s role. But if anyone can make a play about a film about television without resorting to glib use of video, van Hove can.

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In Prospect’s November issue: Joris Luyendijk and Stuart Ward try to uncover the way Britain is perceived by Europe and the rest of the world. Luyendijk—who lived in Britain for six years before recently moving back to his native Netherlands—explains that the Brexit vote has shown Europe that Britain needs time alone to find its identity again, while Ward—a native Australian—argues that its Britain’s imperial backstory that stops it from truly understanding what the world thinks of it. Elsewhere in the issue Jeffrey Lewis argues that US foreign policy has helped North Korea develop the nuclear bomb and we explore the effect that the Palestinian museum near Ramallah is having on the creation of a national identity. Also in this issue: Sameer Rahim profiles Armando Iannucci, Joseph Stiglitz on Britain’s tricky political situation.
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