You used to need real instruments and a studio to turn your musical ideas into actual tunes; today, says Craig Grannell, you only need a phone, some apps and - optionally - talent

Craig Grannell

THE BASICS

■ Keep it simple

If you’ve never written a song before, don’t think you’ll become Brian Wilson overnight. Start slowly and play around, figuring out how to make interesting snippets that sound good. Ignore condescending musos who insist you should avoid automation and loops - make use of whatever tools you have to hand, and gradually build your skills.

■ Slow it down

Tempo is an important part of any song. Although you might want to craft insanely fast rock or head-thumping dance tracks, don’t forget it’s slower tracks that often brim with atmosphere. So set your tempo to less than 100 at least some of the time. Also, remember that you can temporarily slow everything down to record tricky bits.

■ Move some air

Although you can go from blank canvas to published song entirely on your phone, that doesn’t mean you should eschew real-world kit entirely. For noodling around when composing at home, an external keyboard can be very handy; and as great as virtual guitars can sound, nothing touches the real thing.

■ Learn me right

Want to break all the rules? You need to know what they are first. So make use of apps that help you compose using scales - and find out what scales actually are using Khan Academy. Keen to actually tickle the ivories or get your strum on? Try Yousician.

■ Set your sights

Although we said to keep things simple to begin with, do figure out where you want to end up with your music. There’s nothing wrong with being ambitious. You’re probably not going to headline Glasto, but there’s nothing to say you and your phone aren’t capable of crafting a tune that gets friends’ heads bobbing… or even an airing on 6 Music.

AXE MURDERER

■ Amp it up

Modern virtual amps and stompboxes sound barely distinguishable from the real thing. Using AmpliTube or GarageBand, you can rapidly craft setups that would cost a fortune in the real world, as well as requiring loads of room and cables.

■ Get a riff idea

If you lack access to a stringed instrument (or the skill to play it), try GarageBand’s Smart Guitar. Sure, the riffs are canned, but they sound pretty good - ideal for sketching out ideas, or adding a quick guitar part to an existing song.

MAD SOUNDS

■ Twiddle and tweak

Some synths have amazing presets - Poison-202 is a Stuff fave, mimicking classic dance hits with eerie precision. But don’t just settle for built-in sounds - you can use the sliders and knobs in Korg Gadget, Caustic and other synths/DAWs to create custom noises.

■ Arp it up

If your synth app has an arpeggiator, mess around with it. Arps are essentially sequencers that fire off loops of notes. They can be a great way to craft soundscapes, basslines and melodies.

LAY IT DOWN

■ Split the difference

If the recording software you use lets you, separate your sounds. So instead of your drums all being on one track, have one for each drum. This allows you to individually mix them and control effects.

■ Keep your powder dry

Recording a live instrument? If possible, do it without effects. There’s no way to reduce the reverb or delay levels on something that’s been recorded ‘wet’, but you can easily play with software effects on a ‘dry’ track later.

■ Shake it up

If you’re working on a song and it doesn’t sound right, don’t be afraid of radically altering the arrangement, or even mashing together bits from several songs. The beauty of digital is that you can experiment at speed.

MONEY MAKER

■ Go camping

Essentially a fairtrade music store, Bandcamp makes it easy to upload songs for sale. Should you be fortunate enough to get a following, earnings are paid daily. You can also add physical items to your catalogue.

■ Share your genius

If you lack a distributor, you’ll need a third party to get your music onto Spotify and Apple Music. TuneCore is a popular option, but costs £24 per album per year. DistroKid costs less, and RouteNote has a free tier… but takes a cut of your royalties.

HANDY HARDWARE

iRIG

When you want to unleash your axe but don’t want to deafen the neighbours, plug it into your phone with an iRig. Just make sure you buy the right model for your device. IK Multimedia also does some neat mics and MIDI keyboards.

from £35 / ikmultimedia.com

SENNHEISER MOMENTUM WIRELESS 3

Earbuds? AirPods?

Maybe on the bus, but when you’re crafting your next hit you need cans on your lugs. These sound superb, and come with a 3.5mm cable so you can go wired and avoid any latency issues.

£349 / sennheiser.com

RUARK MR1 Mk2

You probably won’t be splashing out several grand on monitors; but if you get into mixing and mastering, you’ll need more than headphones. These are quite dinky but pack a punch, and give you the option of Bluetooth or wired input.

£330 / ruarkaudio.com