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December 19
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THE ART WORLD
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34 MIN READ TIME
THE ART WORLD
compiled by Jane Stroud
William Orpen
The Studio
, oil on canvas, 383311/2in (96.5380cm)
WILLIAM ORPEN: A STUDIO ENCOUNTER
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December 19
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Other Articles in this Issue
The Artist
WELCOME from the editor
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YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
FEATURES
Painting holiday FAQs
Richard Pikesley, The Artist painting holiday tutor, answers some of your queries about joining a painting holiday
A painter’s journey
The path to becoming a successful artist is not always straightforward – Paul Brown shares his personal journey in the hope that it will inspire you not to lose hope
ART BOOKS
The regularity with which flower painting books appear
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
PaintersOnline editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery
CHARLES WILLIAMS’ MUSINGS
Manet and Cézanne
PRACTICALS
Portrait study in oil
David Curtis explains his technique for obtaining a likeness with a demonstration of his son in oil
Winter stream
Paul Talbot-Greaves reveals how to use layers of acrylic to add interest to a featureless landscape, in five easy stages
Enjoy success with interior scenes
Amanda Hyatt shows how to simplify interior subjects and shares her top ten tips as she demonstrates how to paint an interior scene in watercolour
Pastel basics
In the first of three articles, Robert Brindley discusses the merits of painting with pastels, including advice on basic techniques, and demonstrates a simple pastel landscape
DECEMBER
In the last article in this series, Geoff Hunt works up a studio painting from a plein-air sketch
Lips
Kathy Barker continues her series on portraiture by taking you through the basics of painting lips – including what to look for in terms of shape, colours and teeth
Why pattern is important
Capture your viewers’ attention by introducing pattern when designing your paintings, as Bob Brandt explains
Irises
Soraya French finds plenty of inspiration from irises – as she says, their shapes and colours provide an ideal opportunity to explore different compositions in vibrant mixed media
Developing an idea
Michele Del Campo documents a recent narrative composition from original concept to completion as he works through the various stages of the painting
The colours of winter
Paul Weaver finds the fluid nature of watercolour perfect for capturing the subtle greys and soft atmosphere of fog, mist and rain as he demonstrates here, with suggestions for mixing the perfect grey for your needs
Landscape layers
Robert Dutton explains how Royal Talens’ Amsterdam Photo Transfer Gel helped create new exciting directions and a more abstract approach in his mixed-media paintings
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