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February 2022
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ART BOOKS
Reviewed by Henry Malt
Painting The Light in Oils
Contemporary Flowers in Mixed Media
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The Artist
February 2022
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Other Articles in this Issue
In This Issue
WELCOME from the editor
Want to comment on something you’ve read, or
EDITORIAL CONSULTANTS
Ken Howard OBE, RA studied at Hornsey School
Next month in the artist
FEATURES ► IN CONVERSATION Be inspired by president
Painters Online editor ’s choice
Meet this month’s editor ’s choice winner from our PaintersOnline gallery
DIGITAL ISSUE EXTRA CONTENT
Silpho Forest, pastel, charcoal and graphite on paper,
PLUS THIS MONTH
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
THE ART WORLD
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART WORLD
COMPETITION WINNERS
Teresa Allen Teasels in a Blue Jug, mixed
NEAC New Scholarship
The New English Art Club is delighted to
ANIMAL THERAPY THE CATS OF LOUIS WAIN
Louis Wain Ginger Cat at Animal Therapy: The
Late Constable
John Constable Stonehenge, 1835, oil on canvas, 15¼×23½in
P STUDIO MEMBERSHIP
We’re excited to announce the winners of October ’s exclusive autumn/winter artwork member competition... Thank you to everyone who entered!
SUBSCRIBE AND SAVE
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OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
FEATURES
The sensory landscape
Janine Baldwin, winner of The Artist Award in the 2021 Pastel Society ’s annual exhibition, talks to Susie Hodge about how she uses a loose and emotive approach to capture the landscape
WHAT IS DIGITAL ART?
In the first of a new series, Sarah Edmonds explores the world of digital art
Make a new start
In the first of three articles on forging a second career in art, Sky Arts Portrait Artist of the Year finalist Sally Ward discusses how to start your art career from scratch
Tap into your inner impressionist
Mike Barr says impressionism is a way of thinking, a mindset rather than a formula as such
PRACTICALS
Loosen up by simplifying
Advice from Steve Griggs on how to evaluate and simplify a scene by making a simple shapes and value diagram from which you can develop a loose watercolour painting
Peak drama
Sevina Yates demonstrates how to capture a mountain scene in acrylics with a painting of a view from Everest base camp
Flower compositions in pastel
Whilst looking for alternative inspiration during lockdown, pastellist Richard Suckling discovered the joy of flowers. He shares the materials and methods he uses to make his floral paintings
Be bold with gouache
Robert Dutton shares his tips for working with gouache and urges you to be bold and express yourself with large brushes for exciting results
Embrace the rain!
Paintings of rainy days can be beautifully atmospheric, says Peter Cronin, who shares his advice for painting rainy scenes in watercolour
The colours of winter
Haidee-Jo Summers delights in discovering the colours to be found in winter landscapes as she paints en plein air
The sketchbook habit
Sketchbooks are great for recording and trying out ideas, making notes and even showing off your work. Ian Sidaway takes a considered look at what’s available and how to choose and use a sketchbook that’s suited to your needs
Hollyhocks on the allotments
In the final article in his three-part series, Keith Tunnicliffe demonstrates a linocut of an allotment scene, made in his loose and colourful style
Find your focal point
WATERCOLOUR PROBLEM SOLVER: 2ND OF 12
Controlled spontaneity ink painting
Amanda Hyatt discusses her approach and the techniques she uses for her monochrome Chinese ink paintings
Still life story telling
Jenny Aitken demonstrates how good lighting and a balanced arrangement can bring energy to a still life in acrylics
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