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SKETCH FOR SURVIVAL 2022

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The Artist
February 2023
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Other Articles in this Issue


Editorial
WELCOME from the editor
Sally Bulgin Publishing Editor Want to comment on
PLUS THIS MONTH
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
THE ART WORLD
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART WORLD
Exhibitions
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
Opportunities & Competitions
Check out the latest competitions to enter and make a note of important deadlines
ART BOOKS
Charles Evans’ Watercolour Rescue With all books on
The Artist
ART picks
• In Print: Kaleidoscopic at Watts Contemporary
LUCIAN FREUD
New Perspectives
Mick Davies: IN CONVERSATION
Mick Davies drawing Mick Davies The Gunners Last
Sophie PLOEG
Inside Sophie Ploeg’s studio with The Handkerchief
For the love of dogs
In this abridged extract from Atmospheric Animals in Watercolour Jean Haines demonstrates how to paint a dog’s nose step by step
Watts Gallery IN PRINT
View the work of 12 contemporary printmakers at the annual printmaking exhibition, Kaleidoscopic, at Watts Gallery, Surrey, until January 15
Showcase your art…
Join our friendly online art community! Share your
FEATURES
Turning ideas into paintings
Caroline Saunders talks to winner of The Artist Award in last year’s Royal Society of British Artists’ exhibition, Mick Davies, about his acrylic, ink and print creations
THE VALUE OF A MENTOR
Sarah Edmonds sheds light on the value a mentor can bring to the life of an artist to help their business grow
LOVE AT FIRST SIGHT
There is more than one reason why art is made and sold. Mike Barr takes a closer look at art sales
PRACTICALS
Worth the effort!
The outdoor watercolourist faces plenty of problems braving the cold of winter but, as Grahame Booth show us, there are riches to be had
Paper choices
Choosing the right paper is the foundation of our drawing. In the second of his two articles on line and wash, Alan Bickley takes a closer look at papers and demonstrates a still life on a tinted ground
The lace painter
Sophie Ploeg shares her passion for painting antique lace, with advice and tips for creating these delicate patterns in oils
The joy and challenge of watercolour portraits
Catherine MacDiarmid shows why it’s good to get to know her subject in watercolour and relishes the unpredictability of the medium
A portrait of Morag
In the first of three articles on painting animal portraits in pastel, Emma Colbert demonstrates how her choice of Velour paper forces her to work in a more painterly manner
Evaluation and reflection
In the second of three articles Helen Tarr discusses how inspiration, experimentation and reflection can help you create oil paintings you will love
Let the adventure begin!
Peter Burgess finds inspiration in the work of the Old Masters. Discover for yourself new ways to learn about painting from artists of the past
The four seasons WINTER
Follow Paul Talbot-Greaves as he demonstrates a winter snow scene in acrylic and sets an exercise for you to try at home
Polyptychs: going large in watercolour
Paul Riley helps us to overcome the challenges of working in watercolour on a large scale and encourage a sense of exhilaration
First steps with linoprinting
Breaking the boredom of lockdown Gemma Curtis turned to linoprinting to release some creativity. Follow her guide to producing your first lino-cut print
Eye catching
Recognising and emphasising what first caught your eye, whether in a photograph or from life, will help you to create better paintings. Bob Brandt explains why
Understanding coloured pencils
Milly England explores the medium of coloured pencils and encourages us to experiment to find the colours and ranges that suit us best
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