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November 2021
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Rossetti’s PORTRAITS
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1 MIN READ TIME
Rossetti’s PORTRAITS
Dante
Gabriel
Rossetti
Blue Silk Dress (Jane Morris),
1868,
oil
on
canvas,
40335½in
(101.5390cm)
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The Artist
November 2021
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Other Articles in this Issue
In This Issue
WELCOME
from the editor
PaintersOnline editor ’s choice
Meet this month’s editor ’s choice winner from our PaintersOnline gallery
PLUS THIS MONTH
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
THE ART WORLD
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART WORLD
BATH
Society of Artists
THE ARTIST'S 90TH ANNIVERSARY CHALLENGE
Jenny Harris Rendezvous, collage and watercolour, 9¾312¼in (25331cm)
Masterpieces in MINIATURE
The coronavirus pandemic led to a unique and
UK Coloured Pencil Society
The UK Coloured Pencil Society (UKCPS) celebrates its
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
FEATURES
A fascination with colour and pattern
Caroline Saunders talks to Janette Summerfield about the subtle layering of tones and stippled textures in her pastel landscapes
Inspired by plants, flowers and natural forms
Morag Stevenson, winner of The Artist Award in the 2020 Society of Women Artists’ annual exhibition talks to Susie Hodge about her vibrant still lifes in acrylic
The mystery of judging
Mike Barr examines the role of the judge – or judges – of art exhibitions and competitions
TIME TO GET SERIOUS ABOUT MARKETING
Sarah Edmonds underlines the importance of marketing as part of your strategy to attract potential customers
PRACTICALS
Mute your colours!
Peter Cronin advises using a limited palette for watercolour landscapes and ‘palette muck’ colours to achieve atmospheric grey tones
Make a tone and temperature study of the head
In the second of her three-part series, Adele Wagstaff considers the importance of the relationships and temperature of tone when making an oil study of the head using a limited palette
Architecture in pastel
In the third part of his current series, Steve Hall demonstrates how pastel can be used to paint architectural subjects and includes advice on a studio set-up for working with the medium
How to create the illusion of recession
Brian Smith concludes his series by explaining how to create depth in your watercolour paintings
The subtle beauty of interiors
Capture interior scenes of pubs, cafés and restaurants with Adebanji Alade, and use your studies for more resolved studio paintings
Adebanji Alade demonstrates a lively interior scene bathed in the warm glow of the internal lights
The Sir John Hawkshaw pub is a lovely
Paint a cloudburst with pastels
Follow Sandra Orme‘s tips and advice as she demonstrates how to capture a dramatic cloudburst of rain using pastels
Just do it!
Clare Bowen offers tips and encouragement to would-be plein-air painters as she shares her experiences of venturing outside to sketch and paint
Compositions that punch
Robert E Wells examines the use of perspective and close cropping to intensify visual impact and demonstrates a city scene in oil
How long does a painting take?
Paul Talbot-Greaves shares his tips and techniques for making lively watercolour landscapes when time is limited
House portraits
House portraits make interesting commissions. Hilary Page offers tips and advice on how to make them part of your artistic repertoire
Painting and finishing your frame
In the second of three articles on making your own frames, Peter Burgess shows you how to finish them with paint and a thin beading of wax gilding
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