The high cost of conflict

Editorís letter

Is it ever too late to learn an

SOUNDPOST

Letters, emails, online comments

NEWS IN BRIEF

The String Circle launches in Cremona bit.ly/3Kf49tU A

A mat ter of life and death

Giving birth to new life forms the basis of this British composer’s work

COMPETITIONS

Leonkoro Quartet Amelio Trio Trio Bohémo LEONKORO PHOTO

NEW PRODUCTS

VIOLIN CASE Gigging go-between Bag and case are

Life lessons

The Israeli violinist talks about dealing with self-doubt and developing a strong work ethic

THE POWER OF IMAGINATION

To enhance a pupil’s learning, it is useful to build a list of words and catchphrases that conjure images relating to different techniques. Jeffrey Howard introduces his own ‘violin vocabulary’

Top lots from the London sales

Kevin MacDonald finds some unusual offerings, including an interesting quartet of bows, at the capital’s March auctions

That festival feeling

Davina Shum reports on the violin final of the Carl Nielsen International Competition in Denmark, an event that encourages a unique sense of collaboration and support between competitors

Coming HOME

The energetic and eloquent musicians of the Pavel Haas Quartet are celebrating 20 years of music making with a new recording of Brahms quintets joined by some old friends, as they tell Tom Stewart

NEVER TOO LATE TO LEARN

When Billy Tobenkin decided to learn the cello from scratch at 25, he ignited a lifelong passion. He shares what turned out to be a bumpy but ultimately deeply fulfilling journey

MAGNIFICENT OBSESSION

For decades, top soloists would visit the home of David Fulton to sample the treasures of his legendary collection. Now dispersed, the instruments have been brought together again in book form. The collector shares some of the highlights with Christian Lloyd

LOOKING TO THE FUTURE

Tim Homfray speaks to members of the Navarra Quartet, which celebrates its 20th anniversary this year and recently welcomed two new players, about recording chamber works by Edward Gregson

FREE SPIRITS

The Serbian school of string playing, characterised by its startling originality, developed out of the Balkan nation’s chequered history and unique place in Europe in the 20th century, finds Jacqueline Vanasse

REFLECTED GLORIES

Viewing instruments in different kinds of light has become standard in documentation and assessment. Leonhard Rank explains how, in addition to ultraviolet light, researchers can now use infrared, and even parts of the visible spectrum, to reveal even more secrets

ERMINIO MONTEFIORI

IN FOCUS A close look at the work

A ‘plug and plate’ repair for a double bass neck

A detailed alternative method for a difficult neck and pegbox repair

LORENZO FRIGNANI

ALL PHOTOS LORENZO FRIGNANI MY SPACE A peek

Change and decay?

Matthieu Besseling argues we are currently seeing a ‘second transition period’ in instrument and bow making, analogous to the changes at the end of the 18th century – but are they all to the good?

DEBUSSY VIOLIN SONATA IN G MINOR

MASTERCLASS Fedor Rudin explores the emotionally volatile first

MASTERCLASS

Phrasing musically under pressure

Exercises in repetition and variation to ensure maximum musical security on stage

Reviews

Your monthly critical round-up of performances, recordings and publications

RECORDINGS

BACH Cello Suites Bruno Philippe (cello) HARMONIA

BOOKS

Have Violin, Will Travel: The Louis Persinger Story

From the ARCHIVE

FROM THE STRAD JUNE 1892 VOL.3 NO.26

IN THE NEXT ISSUE

Girolamo Amati II violin A

JOSHUA BELL

Wieniawski’s Violin Concerto no.2 brings back fond memories for the American violinist, from studies at Meadowmount to reminiscences of his mentor Josef Gingold

Welcome

Welcome to The Strad ’s 2022 Accessories supplement,

BEING GREEN

Peter Somerford explores the growing market for ethical, sustainable accessories for string players and luthiers, from hardwood and ivory alternatives to a vegan violin made with steamed pear and wild berries

STRINGS of the STARS

How does string selection affect a performer’s sound? Leading artists who’ve recently appeared in The Strad ’s pages or online discuss the strings they use and why

SPECIAL ADDITIONS

What string playing accessory could you not do without? The Strad asked six players and teachers to reveal their favourite little helpers

CASES

Carry your precious instrument and bows with confidence

CHIN AND SHOULDER RESTS

Play in comfort, whatever size and shape suits you best

LUTHERIE

Useful tools to have on hand in the workshop

ROSINS

Get a grip with rosin formulas to suit all styles of playing

TECH

Clever apps and devices for getting the most out of the music

MODELS ON DEMAND

From making tools and parts to creating replicas of museum violins, 3D printing offers luthiers both practical and educational possibilities. Harry White speaks to violin makers about how they are embracing the technology

INSIDE THE LINES

Erik Martens of Jargar Strings explains the process of making metal and synthetic core strings

MAKING AND USING A JIG FOR CENTRALISING PLATES

A useful tool for keeping a plate or rib structure in the exact centre at all times

GRIPPING TALES

Rosin makers of the early 20th century had the most creative ways of making their products stand out, as shown by this selection of advertisements in The Strad from 1903 to 1947

THE TALE OF THE TAILPIECE

From medieval times right up to the present day, the humble tailpiece has undergone myriad changes, from the materials used to the size, design and method of attachment. Eric Fouilhé, Anne Houssay and Raphaël Thirion track the successive transformations of the accessory, explaining how changes in technology and usage influenced its development