Ensemble Diderot – (l-r) harpsichordist Philippe Grisvard, cellist Gulrim Choi, and violinists Roldán Bernabé and Johannes Pramsohler (also below) – record The Berlin Album in Toblach, South Tyrol
MAIN PHOTO AUDAX RECORDS. CIRCLE PHOTO MATTHEW BROOKES
Does Johannes Pramsohler ever stop? While my bus connection from Venice Marco Polo Airport makes its gradual ascent some four thousand feet up towards the picturesque town of Cortina d’Ampezzo in north-east Italy, Baroque violinist Pramsohler and his period-instrument group Ensemble Diderot complete a full day’s recording at the Gustav Mahler Hall in Toblach, South Tyrol. While the others pack their instruments, Pramsohler jumps into his car and drives the twenty or so miles to collect me.
Snow banks line the gritted roads as the jagged peaks of the Dolomites loom ever nearer and larger in the half-light, the digits on the bus’s temperature gauge plummeting to a bonechilling minus eight degrees Celsius. It’s a cold, crisp December evening when I step off the bus in Cortina but am greeted with a warm handshake and gentle smile from Pramsohler. I’m here to find out about Paris-based Ensemble Diderot’s