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INTERVIEW

THREE’S COMPANY: From left, Fenger, Christiansen and Nielsen of the Danish art collective Superlex.
NIKOLAJ MØLLER/BLINK PRODUCTION

SITTING AROUND their studio, on the ground loor of a low-key oice building in the gentriied northern part of Copenhagen, the core members of the Danish art group Superlex seem far less confrontational than you might expect. From their bases in Copenhagen, Stockholm and London, Jakob Fenger, Bjørnstjerne Christiansen and Rasmus Nielsen have been working together for 25 years on politically charged projects that have taken them everywhere from Texas to Africa, via Bangkok, Japan and many of the world’s most prestigious art galleries. This year sees their most high-proile commission to date, with the recent announcement that they are the latest artists invited to ill the vast Turbine Hall of London’s Tate Modern. Yet, despite the glamorous projects and globe-trotting lifestyle, the three men, all in their 40s, appear surprisingly grounded, dressed in casual clothes, with a beard here, some gray hair there and plenty of lines around the eyes.

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THE FOREVER WAR: WHY ISIS IS SENDING IT'S KILLERS TO THE WEST Oralando, Nice, Paris, Brussels, Berlin, Würzburg, Ansbach, Munich, London and now Manchester. The pattern is becoming depressingly familiar. The news breaks with blurry cellphone footage pedestrians strolling on a seaside promenade, shoppers enjoying a Christmas market, excited kids leaving a pop concert. Then come the gunshots, a rampaging truck or the jolting explosion followed by panic, people running, inert bodies. Within the hour, politicians are on the air with a litany of condemnations and condolences. The reality is, until the West crushes ISIS’s ideology, bombings like the one in Manchester are going to continue and maybe become more common.
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