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January 2023
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THE ART WORLD
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1 MIN READ TIME
THE ART WORLD
compiled by Jane Stroud
Peter
Brown
The Queue with David Beckham,
oil,
12316in
(30.5340.5cm)
Peter Brown
Bath, Bristol and Beyond
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The Artist
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The Artist
January 2023
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Other Articles in this Issue
Editorial
WELCOME from the editor
Want to comment on something you’ve read, or seen?
Next month in the artist
FEATURES IN CONVERSATION President of the Royal Society
PLUS THIS MONTH
YOUR VIEWS
LETTERS, EMAILS AND COMMENTS
PETER BROWN: Bath, Bristol and Beyond
Peter Brown Buckingham Palace: the Day after the
TALP OPEN
TA PEOPLE'S CHOICE
ROI TOUR
Peter Graham Saint-Tropez, oil on canvas, 72372in (1833183cm),
ART picks
• The art gallery at the Brynmore Jones
Exhibitions
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
PaintersOnline editor ’s choice
Meet this month’s editor ’s choice winner from our PaintersOnline gallery
NEWS & OFFERS
Showcase your art…
Join our friendly online art community! Share your work on our online gallery, receive feedback from other artists, join forum discussions, discover art clubs and tutors, plus much more!
FEATURES
A new take on botanical painting
Caroline Saunders talks to Emma Chambers about her contemporary botanical paintings in which ordinary plants are given a fresh, bold new look
Emma CHAMBERS
Emma Chambers Azaleas, water-mixable oils on gesso panel,
the artist OPEN Competitions, Exhibitions & Opportunities 2023
A PULL-OUT GUIDE
CROPPING
Mike Barr urges us to be selective with the subject of our paintings. Cropping, whether physically or mentally, will make your work stronger
PRACTICALS
Two -layered watercolours
Peter Cronin shows us how to pare down our subject to just two layers of watercolour washes
The beauty of trees in winter
Follow Jo Quigley’s step-by-step demonstration to paint winter trees in acrylics
Visual narratives
Robert E. Wells muses on the meaning of a painting for a buyer and discovers that the viewer will always interpret the subject matter via their own experiences
Lights, camera, ACTION!
Paul Gadenne shows how to use colour, focus and light to add drama to a painting from a photograph
All about line & wash
In the first of two articles, Alan Bickley looks at the tools available to the line & wash painter and demonstrates how they can be used to best effect
A universal medium
Liz Seward gets to grips with ellipses as she embarks on a still-life drawing using coloured pencils
WHAT’S IT WORTH?
In the first of her new 12-part series on the life of a professional artist, Sarah Edmonds offers advice on how to price your artwork
Working from photographs
Get the most out of your photographs. Paul Talbot-Greaves shares tips and techniques for the oil painter to help overcome their limitations
Seeing the shapes
Practise depicting animals through simple shapes, says Marie Antoniou, as she shows how she injects personality and expression into her distinctive animal portraits in acrylics
Reaching your goals
In this first of three articles Helen Tarr sets goals to help build confidence with oil paint, starting with a challenge to draw from life every day
Taking risks
Liberate your working practices by working with paper and collage. Karen Stamper shows us how to keep our work fun and fresh
A voyage of discovery
Milly England compares the qualities of painting with gouache, acryla gouache and acrylic with advice on how to use each of them
WINNERS of the Best of the of British PAINTING COMPETITION
Earlier in the year, we invited you to enter artwork to celebrate the Platinum Jubilee and ever ything British. Here are the winners
The green-eyed cat
In this abridged extract from Drawing Animal Portraits in Coloured Pencil Lisa Ann Watkins demonstrates how to paint a portrait of a cat using coloured pencils
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