You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
8 MIN READ TIME

HOW TO

write dialogue in a story

Fiction needs characters, and characters in fiction need to talk to each other. It’s one of the vital ways readers get to know the people in your story, and find out about them and the world you’ve created round them. This means that anyone who wants their fiction to read well needs to know how to write dialogue.

What does dialogue do?

Good dialogue engages the reader. Conversation between characters brings stories to life. Dialogue breaks up blocks of text and allows writers to change the pace of their narrative. Well-written dialogue informs readers about the character of the people speaking it, and it allows the writer to progress the story.

What dialogue should be

Good dialogue is an exchange between characters that adds to the reader’s enjoyment, tells them something about the characters and in some way progresses the narrative. Good dialogue drives a plot but it also allows readers to connect emotionally with the characters speaking it, which deepens their understanding and enjoyment of the fictional world you have created for them. Similarly to the way we get to know people by talking to them, readers get to know characters by engaging with their dialogue. Dialogue is a way for you, the writer, to show readers who your characters are without telling them through lengthy blocks of description.

What dialogue should not be

Bad dialogue is clunky, unrealistic and used by the author as a vehicle for info-dumping:

Read the complete article and many more in this issue of Writing Magazine
Purchase options below
If you own the issue, Login to read the full article now.
Single Digital Issue Write Now
 
£12.99 / issue
This issue and other back issues are not included in a new subscription. Subscriptions include the latest regular issue and new issues released during your subscription. Writing Magazine
Annual Digital Subscription £59.99 billed annually
Save
17%
£5.00 / issue
6 Month Digital Subscription £29.99 billed twice a year
Save
17%
£5.00 / issue

This article is from...


View Issues
Writing Magazine
Write Now
VIEW IN STORE

Other Articles in this Issue


Writing Magazine
The Big Picture Edit
What happens once you’ve written your story? How will you take it from first draft to realise its full potential? Anna Davis from Curtis Brown Creative advises you on what to do next.
Editorial
DEAR WRITER
Have you always longed to turn the ideas
GETTING STARTED
It’s time to START WRITING
10 ways to get writing
How to be a writer
Want to know how to make your writing life as rewarding as possible? Here’s the essential advice that every writer needs as they set out on their writing journey.
What makes a good writer
Everybody can write but that doesn’t mean everyone is a good writer. Some are naturally talented, others have wild imaginations, all show a resilience and belief in their craft.
THE BIG IDEA
THE BIG IDEA What’s yours?
Everything in writing starts from an idea. Ideas are the very heart of what we write, and everything we write needs at least one idea behind it. At the beginning your idea will probably be a glimmer, not something fully formed – but if you treasure it and nurture it, that spark of an idea might take your creativity further than your wildest dreams. Let’s explore more about those ‘lightbulb’ moments and how we can get them…
Here are three writing prompts for you to try
Shock Start a story with someone in a
FOLLOW YOUR inspiration
Writing inspiration will always come from the things you love , which gives you a unique voice
HOW TO BE MORE creative
Word-weary? All out of ideas? Try these top tips for giving yourself a creative reboot!
Get off to a flying start!
Tips to find your next writing project
WHO’S IN YOUR STORY
WHO’S IN YOUR STORY?
W h en you think about your favourite
CHARACTERS and how to create them
T h e characters in your fiction are
YOUR STORY’S SETTING
WHERE does your story take place?
B u ilding a world for your characters
DESCRIPTIVE WRITING
How to write your stories into life
WHAT NEEDS TO HAPPEN?
HOW TO STRUCTURE YOUR STORY
I n this step, we’re going to ask:
PLOT V STORY
Y o u’re starting to write your book
WHERE’S THE DRAMA?
Where’s the Drama?
B y this point in the process, you’ve
HOW DOES IT END?
HOW DOES IT END?
I t ’s time for the last step
Types of ending
Picture prompt: Outline a closed ending for the
Chat
X
Pocketmags Support