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Works from the private collection amassed by media entrepreneur Chris Ingram will be exhibited at the 29th annual London Art Fair. This is not the first such loan by Ingram, as Frances Allitt discovers when she meets the collection’s curator and director, Johanna Baring

JOHANNA or ‘Jo’ Baring speaks about Chris Ingram, media entrepreneur, serial investor and philanthropist, in respectful tones that occasionally give way to indulgence.

“He’s already got lots of Neo- Romantic works,” she says with a slight smile during our meeting in her Oxford Circus office. “Then he sees another Keith Vaughan and says, ‘I know I don’t need it, I know, I know, but I just love it’.”

Baring is curator of the Ingram Collection, widely acknowledged as one of the leading private collections of its kind.

She has held the role since 2013, joining from Christie’s where she was director and head of department for 20th century British art. Calm and composed in person, it’s clear she applies structure to the process of building and circulating the collection, giving shape to Ingram’s zealous approach to owning art.

A selection of Modern British works from the 700+ collection will be exhibited on loan at the London Art Fair this month. As is the case for any of Ingram’s core Mod Brit group, Baring says these treasures are “sacrosanct” in that there is no question of them being sold off now or in the near future.

Rather, Ingram and Baring’s goal with this collection is to inspire a wider audience to become buyers, to borrow or perhaps just to learn.

The collecting bug

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About Antiques Trade Gazette

Antiques Trade Gazette is the essential publication for everyone with a serious interest in art, antiques and collectables. Every week it is packed with up-to-the-minute news on the market, with individual items beautifully illustrated throughout. Since 1971 it has been the most reliable source of information on what is really happening at auctions in the UK and around the world. Each issue is filled with auction advertisements and detailed auction reports written by expert journalists. The Dealer’s Diary section keeps readers constantly updated on what is happening at the fairs and markets and in the galleries and shops. Market professionals and serious collectors throughout the world rely on ATG to keep them informed on developments and issues which shape the art market. It is here that they learn about the prices achieved at auction in every area - from antiquities to pop memorabilia, from impressionist paintings to Chinese art. With 500 or more art objects pictured, every issue is a treat to the eye and a visual education. Whatever the topic Antiques Trade Gazette is well-informed, up-to-date and entertaining.
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