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Latest Issue

Film and Digital Times Magazine June 2022 Back Issue

English
10 Reviews   •  English   •   Art & Photography (Photography)
Only $9.99
The new ALEXA 35 is like a film lab inside a digital camera. A film lab is an alchemy of permutations: chemicals, water, temperature, light and human temperament. ALEXA 35 offers many hitherto unobtainable digital possibilities that are reminiscent of an analog film process: textures, contrast, grain, sharpness. The digital camera is no longer just a lens onto which you put all kinds of different lenses to achieve unique looks. Now this Super35 camera itself returns as an instigator of looks, along with your good looks created by lighting, lenses, composition, art, planning and happy accidents. 
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Film and Digital Times

June 2022 The new ALEXA 35 is like a film lab inside a digital camera. A film lab is an alchemy of permutations: chemicals, water, temperature, light and human temperament. ALEXA 35 offers many hitherto unobtainable digital possibilities that are reminiscent of an analog film process: textures, contrast, grain, sharpness. The digital camera is no longer just a lens onto which you put all kinds of different lenses to achieve unique looks. Now this Super35 camera itself returns as an instigator of looks, along with your good looks created by lighting, lenses, composition, art, planning and happy accidents. 


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Issue Cover

Film and Digital Times  |  June 2022  


The new ALEXA 35 is like a film lab inside a digital camera. A film lab is an alchemy of permutations: chemicals, water, temperature, light and human temperament. ALEXA 35 offers many hitherto unobtainable digital possibilities that are reminiscent of an analog film process: textures, contrast, grain, sharpness. The digital camera is no longer just a lens onto which you put all kinds of different lenses to achieve unique looks. Now this Super35 camera itself returns as an instigator of looks, along with your good looks created by lighting, lenses, composition, art, planning and happy accidents. 
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Jon Fauer’s Film and Digital Times published on paper, online and on iPad roughly every two months. Depending on events, introductions and technological breakthroughs, we sometimes combine issues into larger editions. Join us for the adventure and subscribe online. We talk about products and procedures in practical production—here’s the job at hand: how do we use tools and techniques to get the results we want?

Film and Digital Times is an inside-the-industry look at the nuts and bolts of high-end production: how-to and how not to, technique and technology, style and strategies, tips and trends for Cinematographers, Directors, Producers, Rental Houses, Manufacturers, Camera Assistants, Camera Operators, Photographers, Videographers, Gaffers, Grips, Students, and Faculty.

About Jon Fauer

Jon Fauer, ASC is an award-winning cinematographer and director who has written 12 bestselling books, famous for their user-friendly way of explaining things as if you’re right there on location with him.

Over 120,000 of his books on cameras, cinematography, film and digital video have been printed. Think of this bimonthly Journal as Fauer’s next book — arriving a year early, with up-to-the minute information brought to you in episodic format.

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Articles in this issue


Below is a selection of articles in Film and Digital Times June 2022.

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