H ead to any car museum up and down the country and you’ll see swathes of visitors, cameras in hand, shooting everything from antiques like the Ford Model T to classics like the Morris Minor, high-performance supercars such as the McLaren F1, and everything in between.
But museums aren’t exactly known for their photo-friendly lighting. Add to this the busy backgrounds and fellow car Mike Harris demonstrates how to take studio-quality close-ups of vehicles in a classic car museum enthusiasts, and it can seem impossible to capture a flattering shot – but with the right techniques it can be done.