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December 18
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Thinking outside the box
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37 MIN READ TIME
Thinking outside the box
COMPOSITION: 4TH OF 5
The Breakfast Club 5,
pastel, 16⨉211⁄2in (40.5⨉53.5cm).
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The Artist
December 18
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Other Articles in this Issue
The Artist
WELCOME from the editor
Email me at theartistletters@tapc.co.uk, or visit our
PLUS
THE ARTWORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
YOUR VIEWS
Letters, emails and comments
ART BOOKS
Margaret Stevens Although you could fill a generous
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
PRACTICALS
New places, fresh ideas
Michele Del Campo reveals how he finds fresh ideas for paintings during his travels and the inspiration behind a recent Cuban scene
Glazing with acrylics
Use acrylic mediums to produce glazes that you can layer for rich depth and subtle transitions in your acrylic paintings, says Rhéni Tauchid. With demonstrations
November mist
Paul Talbot-Greaves demonstrates how to use the wet-into-wet technique to recreate a misty woodland scene in watercolour
Put some life into your still life
Follow Aine Divine as she captures a ‘dancing flock’ of cyclamen flowers in oil over acrylic
Aerial perspective
Peter Burgess explains how aerial perspective works and offers some suggestions for depicting distance and atmosphere in your work
Pictures of home
Sally Barton reveals how she approaches commissions to paint people’s houses and make an income from her work
Furious seas, billowing clouds and shimmering light
Take time to experiment with your materials and techniques and embrace the happy accidents with Judith Yates, as she demonstrates a seascape in acrylics
Gardens of light
David Bachmann shares the inspiration behind his work and his working methods for his plein-air paintings of the gardens of the Alcázar, the Royal Palace, Seville, Spain
En plein air at the coast
Colin Allbrook heads down to the coast where the light and the scenery provide plenty of inspiration for a watercolour demonstration
Portrait of a tree
Be inspired by nature’s changing seasons as Martin Taylor demonstrates a detailed painting of a woodland tree in oils
Powerful colours for flowers
Julie Collins brings her series to a close with advice on how to maximise impact by using strong colours alongside weaker ones
Laura Knight
Glyn Macey invites you to paint a light-filled cliff-top scene inspired by Dame Laura Knight as he brings his current series to a close
SUBSCRIBE TO the artist
Enjoy over 1,000 pages of inspiration, artistic insight and practical help with an annual subscription to The Artist
Contemporary still life
Marie Antoniou suggests you move away from traditional subjects and paint a still life that reflects the current times – there should be plenty to inspire you around the home
Flower studies in coloured pencil
Botanical artist Valerie Baines recommends using coloured pencils for high-quality detailed work and demonstrates an iris for you to practise
FEATURES
The life of Bath
Peter Brown talks about the joys of working en plein air as he captures life on the streets of Bath, working in both charcoal and oils
What do we want from art?
Perhaps because I spent such a long time as an art
COMPETITIONS, NEWS & OFFERS
Painters Online editor’s choice
Meet this month’s The Artist editor’s choice from our PaintersOnline gallery, who receives a £50 Jackson’s Art Supplies gift voucher
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