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8 MIN READ TIME

Let it roll (and drip and run)

Reflections at Studland Marsh, oil and acrylic on canvas, 693941/2in (1753240cm). ‘This is the painting that took a year and a half. The textures are strong and there is so much paint on this canvas that it weighs around 50kg. I liked the contrast between the reflections of the sky and the trees and grasses growing in the water. A lot of sketches were made for this painting.’

Michael Sole often spends months at a time observing his subject matter in order to take the atmosphere of the landscape back into the studio and on to his canvases. ‘I am particularly fascinated by the sea, and how it offers such an interesting base for experimentation with painting. I feel very strongly that energy must be met with energy – big seas and a powerful subject benefit from energetic, physical and confident painting, which usually includes dripping, pouring, throwing, lifting, shaking and so on. I often pick subjects that are complemented by my materials and processes.’

Painting intuitively

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The Artist
May 20
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The Artist
WELCOME
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PLUS THIS MONTH
YOUR VIEWS
Email theartistletters@tapc.co.uk or write to The Editor
THE ART WORLD
NEWS, VIEWS, INFORMATION AND SPECIAL EVENTS IN THE ART WORLD
EXHIBITIONS
GALLERY OPENING TIMES AND EXHIBITION DATES CAN VARY; IF IN DOUBT PHONE TO AVOID DISAPPOINTMENT
OPPORTUNITIES & COMPETITIONS
Check out the latest competitions to enter and make a note of important deadlines
ART BOOKS
Alison C Board Mixed media is a term that can mean
PaintersOnline editor’s choice
Meet this month’s editor’s choice winner from our PaintersOnline gallery
FEATURES
Competition fever
Charles Williams shares his experiences as a contestant in this year’s Sky Portrait Artist of the Year competition
Search Press
As our PaintersOnline bookshop partner, we are delighted to mark Search Press’s half-centenary. Martin de la Bedoyere, managing director of this award-winning publishing house, talks about his company’s 50 years of success
PRACTICALS
Seeing patterns
Hazel Soan begins a new three-part series on how to hone your artistic vision. This month she focuses on identifying pattern in your subject matter
How to find a subject
Graham Webber’s six-part oil-painting series about the process of landscape painting from small, plein-air sketches to larger, framed studio work continues with advice on subject matter as he demonstrates a plein-air oil sketch
Figures alla-prima
Brian Smith concludes his series on capturing figures in watercolour by sharing a painting he made during a plein-air painting day at Windsor Castle
The thrill of painting outdoors
Passionate pastellist Richard Suckling offers his tips for choosing and using pastels en plein air, both in the UK and abroad
Snowdrops in mixed media
Snowdrops make a wonderful subject for a still-life painting or even a landscape when shown growing in drifts in a woodland setting, as Soraya French demonstrates here
Express yourself with drawing media
Robert Dutton takes the bewilderment out of choosing drawing media, highlighting his personal favourites and sharing his top tips for using them creatively
Zoom-in on portraits
Follow Andrew Newton as he demonstrates how to paint a hyperrealistic-style portrait in oils
Planning, sequencing and using negative spaces
Kim Whitby concludes her three-part series on using ink to help develop your watercolour skills by stressing the importance of planning
Spring still life
Julie Collins explores her watercolour palette and shows how to create bright, modified colours for fresh spring still-life paintings
Constable and Yarmouth
Glyn Macey continues his journey documenting the changes to the English coastline with a painting inspired by a well-known artist. This month he records Yarmouth pier using mixed media
Oils on the go
Wondering what to pack for your painting holiday? Clare Bowen shares details of her essential oil painting kit, advises on how to prepare for air travel and how to manage your paintings while you are away
Love line and wash
Discover how Milly England uses the line and wash technique to add life to drawings of historic houses and buildings