BURIED TREASURE
Libretto Blaster
This month’s sublime rediscovery: Tim Buckleycharged Italian prog-folk-jazz.
Alan Sorrenti
Wurst case scenario: Alan Sorrenti embarks on his gastronomical/cosmic quest.
Fotex/Shutterstock
Aria
HARVEST, 1972
“IN THOSE TIMES, creativity was top of the line,” says Alan Sorrenti, casting his mind back five decades. “We were so strong in Italy that record companies were forced to follow us, which is the opposite of now. I was just 21… we could do so much, in every sense. And from that period comes Aria.”
Italian progressive rock remains somewhat underappreciated internationally, with only PFM (via ELP’s patronage) and Goblin (via director Dario Argento’s soundtracks) crossing over to UK culthood. Whither Banco Del Mutuo Soccorso, Area, Museo Rosenbach and (fronted by Sorrenti’s sister Jenny) Saint Just? But even in this progressive company, Sorrenti was an outlier, with Aria an enthralling, intense 40 minutes eschewing the genre’s core instr umental dexterity for the rapture and fluidity of Van Morrison’s Astral Weeks with aspects of Italian favourites Van Der Graaf Generator. Most important were Sorrenti’s ecstatic vocal incantations reminiscent of Tim Buckley’s jazz period, as forged in the crucible of space rock and the classical folk of southern Europe.