Take a bow
ROGER WATERS: THE DARK SIDE OF THE MOON REDUX
Roger Waters raises the Palladium roof.
PRESS/KATE IZOR
Aside from a few nods, Prog has always been disappointed that, since London Palladium’s recent incarnation as one of the best gig venues in Europe, more artists haven’t really pushed the fact they’re playing there on a Sunday night. Not so Roger Waters: being Mr Showbiz himself, he trots on in a pink jacket and treats the audience to not only a Bruce Forsyth impression (“Nice to see you, to see you, nice”) but also a Max Bygraves one (“I wanna tell you a story”). Waters, of course, is not known for his mirthsome light entertainment, being one of the most controversial figures in popular music. What should be an intimate celebration – the first time he’s publicly played a venue of this size in Britain since 1974 (ironically on the tour that put the original The Dark Side Of The Moon to bed), and one of only two shows where his new The Dark Side Of The Moon Redux version will be performed – is overshadowed by the antisemitic controversy that surrounds Waters. That this takes place on the first full day of the Israel-Hamas war makes it difficult to divorce the horrors of the outside world from the night’s performance.