Editorís letter

We’vecome a long way over the past twelve

Contributors

PARISANDREW (Opinion, page 23) is a British luthier

LETTER of the MONTH

Letters, emails, online comments

Classica l unclassifed

News and events from around the world this month

NEWS IN BRIEF

Santiago Cañón-Valencia kicked off Copa Airlines flight bit.ly/3WZQte4

OBITUARIES

ANDREW DAWES Canadian violinist Andrew Dawes died on

PREMIERE of the MONTH

In memory of

Petz Vienna

www.pk.at/shop

Good as gold

CELLO STRINGS

Life lessons

The US cellist on how a disciplined early approach enabled him to embrace the possibilities of new experiences

TIME TO CUT THE CORD?

Luthier Paris Andrew argues that, rather than slavishly copying Antonio Stradivari models, makers should study and explore some of the other beautiful instruments that exist

A birthday celebration

POSTCARD from...

BLINK IF YOU DARE

Daniel Pioro is a violinist to watch – uncompromising about speaking his mind, whether it comes to challenging mediocrity, championing new works or combining ancient and modern. He talks to Tom Stewart about his philosophy, his new album, and the fresh ideas he is bringing to his ongoing residency at London’s Southbank Centre

DANIEL PIORO ON HIS VIOLIN

The violinist has played a modern instrument inspired by the ‘Viotti’ Stradivari since 2012

FROM RUSSIA WITH LOVE

A bow made entirely from ivory has long been considered an enigma as it has never been attributed to a country, let alone to a maker. Now Gennady Filimonov reveals its origins – made by one of the finest and most respected Russian artisans in history

ONCE MORE, WITH FEELING

How does repetition in instrumental practice benefit our playing? Pedro de Alcantara provides tips on how to bring some creativity and intentionality into your practice time

SINGING A NEW SONG

Following major competition successes, the US violinist Maria Ioudenitch has made her debut recording based on song arrangements treated with understated nuance. She tells Rita Fernandes about the forthcoming album

LEARNING CURVES

How did the old Cremonese makers work out their archings? Gareth Ballard presents a detailed method for analysing the various curves – and creating your own from the same principles

The competitive advantage

How can you win at a competition, even if you don’t pick up a prize? Charlotte Gardner gleans the advice of top figures in the music industry on how to make the most of the experience

CESARE CANDI

A close look at the work of great and unusual makers

Making a soundpost jig

Makers reveal their special techniques

MY SPACE

A peek into lutherie workshops around the world 

Berlin’s Oberlin

Points of interest to violin and bow makers

BEETHOVEN GROSSE FUGE OP.133

Teaching & Playing

GROSSE FUGE

Dem Kardinal Erzherzog Rudolph gewidmet

Scaling the heights

Thoughts on effective scale and arpeggio practice

Reviews

Your monthly critical round-up of performances, recordings and publications

RECORDINGS

AKIHO LigNEouS Suite; Deciduous; Speaking Tree Ian Rosenbaum

BOOKS

The Northern Silence: Journeys in Nordic Music and

From the ARCHIVE

The pseudonymous ‘Lancastrian’ (Dr William Hardman) interviews virtuoso violinist Adolph Brodsky, then principal of the Royal Manchester College of Music

MARIO BRUNELLO

The Italian cellist recalls the first time he performed Bach’s Sonatas and Partitas on the violoncello piccolo, and how the experience informed his understanding of the composer

CONTENTS

W elcome to the 2023 edition of String

START YOUR COURSE HUNTING HERE!

Before you start combing through the string courses listed in this guide, take a look at these suggestions to help find the course that’s right for you

QUESTIONS TO GET YOU STARTED

WHY DO YOU WANT TO GO ON A

COURSES FOR PLAYERS AND TEACHERS

PLAYERS KEY Instruments vn violin va viola vc

COURSES FOR MAKERS

Luthier Chris Sandvoss works on a cello back

INDEX

A Aboyne Cello Festival.....................................25 Academy of Improvising Kids.......................22