Mixing vocal stems
When working with vocal stems in a mix, you’ll often have (or need) multiple tracks to make them really pop. There are a few things you can do to help yourself as a sound engineer before you even get to the mix.
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If you know there is going to be multiple vocal takes and adlibs, consider having the vocalist use separate microphones for the adlibs. Mics have different qualities and can offer different end results. You want the lead vocal to shine brightest, without backing vocals or adlibs muddying up the same space on the frequency spectrum.
When you approach the vocals, you’re building a harmonious composite layer by layer with each track. Get the lead vocals right first and build around them. These are front and centre, but you’ll also want to make use of the full width of the stereo to bring the track to life. That’s where your secondary vocal layers come in. When all of these pieces are put together, you’ll create a complete audio experience.