We’re big fans of automation at Computer Music. Even the most subtle of sound alteration, over time, can elicit interest and magnificent builds or subtle fade outs. Above all, automation can take your music and production to the next level, rather than just being content with letting loops roll by. It turns out we’re not the only people to think this! Norwegian electronic duo Røyksopp use plenty of automation, coupled with good old humanistic manipulation, throughout much of their output. Their track Feel It employs a filter across the entire mix for the first few bars. We can create a very similar effect, but by only effecting our bass sound, through the automating of the cutoff control on our patch. This is particularly effective with our chosen Bandpass QFilter, as the point of cutoff is naturally accentuated by the shape of the filter. However, it’s also possible to obtain another classic effect by simply switching the filter to a high-pass variety and just playing a bassline. It’s another common production trick, applied by many electronic artists. It can often feel like a more vintage sound, which may also explain why it is popular with bands such as Zero 7.
Torbjorn Brundtland from Royksopp performs at Picnic In The Park Festival in Sofienbergparken
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Zero 7 at Wireless Fest, Hyde Park
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