Gabi, impossible to resist.
Faces peeling away from skulls. A syringe containing a deadly virus piercing the skin. A man vomiting blood livestreamed across the world. Few filmmakers have burst onto the big screen with such strange and agitating creations as Brandon Cronenberg.
The first mental challenge for audiences came in the form of his body-horror debut Antiviral (2012), in which celebrities’ illnesses are sold to rabid fans. In his second film, 2020’s Possessor, an assassin takes control of other people’s bodies via brain implants before encouraging suicide. But the horror, lust and disquieting feeling that envelops you watching those has nothing on the nightmarish new sci-fi Infinity Pool.