Shopping Cart -

Your cart is currently empty.
Upgrade to today
for only an extra Cxx.xx

You get:

plus This issue of xxxxxxxxxxx.
plus Instant access to the latest issue of 300+ of our top selling titles.
plus Unlimited access to 26000+ back issues
plus No contract or commitment. If you decide that PocketmagsPlus is not for you, you can cancel your monthly subscription online at any time. Auto-renews at €10,99 per month, unless cancelled.
Upgrade Now for €10,99 Learn more
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
Pocketmags Digital Magazines
   You are currently viewing the Italy version of the site.
Would you like to switch to your local site?
Leggi ovunque Read anywhere
Modalità di pagamento Pocketmags Payment Types
Trusted site
A Pocketmags si ottiene
Fatturazione sicura
Ultime offerte
Web & App Reader
Loyalty Points


Since The Smiths dissolved, Johnny Marr has travelled the world, bringing his guitar-superstar chops to a host of bands’ records and finding his voice as a solo songwriter. Third album Call The Comet, though, was forged in his home city. Richard Purden meets Marr to talk about embracing rock music, record shopping with Morrissey and being influenced by HG Wells…

The May Fair Hotel in London’s West End was once famous for highsociety ballroom dances featuring Big Band leader Bert Ambrose. Today, it hosts a very different kind of bandleader; at least that’s how Johnny Marr describes himself after rejecting previous terms such as ‘songwriter’ (too “Jackson Browne”) and ‘guitar slinger for hire’.

Marr admits that no-nonsense self perception has a lot to do with his workingclass background growing up as a secondgeneration Irish kid in 1970s Manchester. It’s more than 40 years since he formed his first band, aged 13. After moving from Ardwick to Wythenshawe, once the largest council estate in Europe, he was able to draw upon a notable pool of musicians, which featured fellow Smith Andy Rourke, Billy Duffy (The Cult) and former Coronation Street actor Kevin Kennedy.

His trademark black tresses are today fashioned into a feathercut, with lighter streaks summoning Keith Richards’ rakish look of the early 70s. Reflecting on a lifetime shaped by vinyl, he remembers his first sighting of the Stones guitarist when looking though the record collection of a friend’s parent. “It was the hexagonal sleeve – I’ve yet to see a more spooky and freaked-out looking band on a greatest hits record [Through The Past, Darkly].”

“My parents loved early rock ‘n’ roll,” he explains of his boyhood introduction to vinyl. “We would visit these musty old record shops to pick up old 45s of Jerry Lee Lewis and The Everly Brothers, it was a kind of early retro. You didn’t need to be an alternative person or collector, because it was a huge cultural pastime; your auntie would have a lot of records, everybody had a record player – in the way people have laptops now.The charts covered easy-listening people in their 40s and 50s who were very straight. It’s not like now, where you have hipster grandmas and grandads. When you went to a friend’s house, you would look through the family’s records. there was often a lot of dross, but there would be the odd thing – that’s how I got into Motown.”

Purchase options below
Find the complete article and many more in this issue of Long Live Vinyl - Jul-18
If you own the issue, Login to read the full article now.
Single Issue - Jul-18
Or 799 points
Getting free sample issues is easy, but we need to add it to an account to read, so please follow the instructions to read your free issue today.
Email Address

View Issues

About Long Live Vinyl

Issue 16 of Long Live Vinyl hits the shelves on what would have been Prince's 60th birthday. Our cover story focuses on the astonishingly prolific decade between 1978-88, when the Purple One released 10 albums that shaped the future of pop. We also round up the 40 essential Prince releases on vinyl that your collection should not be without and profile the cover art that accompanied his remarkable catalogue. Elsewhere this issue, we speak to The Smiths legend Johnny Marr about how he made his best solo album yet – Call The Comet – in his home city of Manchester, hear how Josh T Pearson raised the bar with his own latest record, and sit down for a chat with post-punk icons Wire. In our packed features section, we find out which record changed everything for former Suede guitarist Bernard Butler and meet famous 4AD artist in residence Vaughan Oliver to talk through his classic designs for the Pixies, The Breeders and Cocteau Twins. Also this month, we turn the spotlight on a label that's become a Chicago institution with a mind-bogglingly diverse roster – Drag City, Mark Elliott travels to Belfast for his latest cratedigging adventure in The Trip, and we take an in-depth look at the making of Carole King's career highlight, Tapestry. If all that's not enough, our packed reviews section rounds up new releases and reissues by The Rolling Stones, Black Sabbath, The Orb, Kamasi Washington, Let's Eat Grandma, Richard Hawley and many more, plus you'll find expert hardware buying and HIFI DIY advice, as well as turntable, speaker and accessory reviews. Long Live Vinyl is THE magazine for vinyl lovers. Pick up your copy today!