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LEARN FROM THE MASTERS: 2ND OF 2

All the fun of a Canaletto

Peter Burgess makes his own copy of a Canaletto painting in oil, discovering the humour and working practices of the master along the way
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The Artist
March 2023
VISUALIZZA IN NEGOZIO

Altri articoli in questo numero


Editorial
WELCOME from the editor
Want to comment on something you’ve read, or seen?
PLUS THIS MONTH
STAR LETTER
YOUR VIEWS Email LETTERS, EMAILS AND COMMENTS Email
Copying the Masters
Peter Burgess's article in the February 2023 issue
To copy or not to copy
I enjoyed reading your October 2022 editorial and
FAITHFUL & FEARLESS
NEWS, INFORMATION AND ONLINE EVENTS IN THE ART WORLD
TADWORTH ART GROUP
The Artist Award Alison Powell Lion of the
Light & Colour: Scenes from London
Sophie Knight Sunlight Bursting Through the Door, Interior
ECHOES of Earth and Water
Sally Fisher Cloudburst Over Bantham, oil on canvas,
A Sense of PLACE
Grace Ellen Ochre Reflections, Mole, acrylic on canvas,
Opportunities & Competitions
Check out the latest competitions to enter and make a note of important deadlines
Exhibitions
LONDON Bankside Gallery 48 Hopton Street SE1. ☎
ART BOX
Art products to help you develop your skills
ART BOOKS
Hans Holbein – his life & works in
FEATURES
The urban landscape painter
Caroline Saunders talks to Melissa Scott-Miller about her portraits of London, which she paints from life
MAKING MOOD BELIEVABLE
‘ True realism is attained through the capture of mood and not the copying of details’, says Mike Barr as he unearths the secrets to making realistic paintings you can believe in
DIGITAL ISSUE EXTRA CONTENT
Melissa Scott-Miller
Melissa Scott-Miller Night-time in Russell Street, Autumn
REDISCOVERING Botanical Painting
In this abridged extract from New Ideas in Botanical Painting Carolyn Jenkins looks at new ways to create striking botanical paintings
PRACTICALS
Stepping away from cups and saucers
Shirley Trevena used the space that lockdowns gave her to re-examine her working methods. Here she shares how she develops her abstract landscapesI
Looking for the abstract in realism
Jo Quigley encourages us to find patterns, textures and colours within everyday subjects and use them to elevate our acrylic paintings
The real deal
Catherine MacDiarmid relishes the qualities of oil paint. Following her portrait of Bob in watercolour featured last month, she demonstrates how oils allow her to create her realistic, yet relaxed portrait commissions
Why watercolour?
It’s difficult and temperamental, but the rewards of getting it right make it worthwhile. Paul Talbot-Greaves demonstrates his techniques for painting a still-life subject working from light to dark
Painting by serendipity
Howard Milton loves to find a subject with a story and found this one right under his nose. Follow him as he paints his colourful subject in acrylics and oils
Art Courses & Holidays showcase
Never underestimate the importance of taking time out to explore new places, meet new people and learn new skills 
The beauty of the night
In the first of four articles on the joys of painting night scenes, Barry Herniman paints a group of buildings on the Shetland shoreline in watercolour
Barry Herniman: The beauty of the night
This is a totally different view of the small cluster of shoreline buildings called the Lodberries. I loved the fact that almost all the buildings were in shadow and that the only bits of striking light were on the roofs and water. This, for me, was a great opportunity to paint a scene using just a series of varied colourful grey tones, but it was enjoyable all the same.
Nova the rescue dog
In the second of three articles on painting animal portraits in pastel, Emma Colbert reveals the benefits of using Pastelmat as her surface, providing both softness and texture for her portrait of Nova
How to see like a pencil
As artists we need to look at the world around us differently if we are to create successful drawings. Peter Cronin shows us how to see shapes, tones and edges rather than objects
New resolutions
Maintaining your confidence as an artist isn’t always easy. In the last of her series on painting with oils Helen Tarr discusses ways to keep going when things aren’t going well
Vibrant still life
Marie Antoniou shows us that there is nothing static about still-life subjects. Follow her step-by-step demonstration to paint your own vibrant still life in acrylics
NAVIGATING PRINTS
Discover the world of limited edition prints with Sarah Edmonds as she explores how artists can reproduce their own artwork
The Artist
PaintersOnline editor ’s choice
Meet this month’s editor ’s choice winner from ourPaintersOnline gallery
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