IN THE STUDIO
A.A.WILLIAMS
Death gospel’s high priestess promises a devastating experience with her second album
WORDS: RICH HOBSON
WHEN A.A. WILLIAMS released Forever Blue in 2020, it helped redefine the boundaries of what heaviness could be. Sidestepping distorted guitars and drums, her debut combined elements of classical and post-metal in a hauntingly beautiful fusion. Call it death gospel, post-metal, post-classical or whatever, either way her captivating sound continues to challenge our definition of heavy music. We caught up with Williams to find out what album #2, As The Moon Rests, has in store…
What do you see as the biggest difference in approach between Forever Blue and As The Moon Rests?