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Affinity Photo

Let it snow

James Paterson
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PhotoPlus
January 2021
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Other Articles in this Issue


Welcome
Welcome
Peter Travers Editor After a demanding and distressing
Meet the team
Meet the team...
Who we are, what we do, and our favourite bits from this issue…
CANON PROS
HITTING THE TOWN
SHOOT WITH A PRO
TECHNIQUE ASSESSMENT
Jeremy offered David some pointers for perfect architecture imagery
JEREMY’S SENSATIONAL CITYSCAPE SHOTS
Jeremy shows us some of the photography that he’s most proud of from his portfolio
Welcome...
Dan Mold` Techn ique editor
Canon Skills
Sharpen up your photography skills with our all-new photo projects and expert guides
Create your own Christmas cards
James Paterson shows you how to make personalized festive cards, ideal for sending to friends and family, with these easy-to-follow tips
TOP TIPS PRINTING YOUR DESIGN
When done shooting you can print your cards on your own printer or send them off to a printing service
TOP TIPS CAPTURING THE FAMILY AT CHRISTMAS
Discover how to capture creative images for a Christmas card or simply shoot festive portraits
PROJECT 1
SETUP 1 CHRISTMAS PORTRAITS Bokeh in-between Enhance the
Beautiful bokeh shots
Dan Mold’s flat is beginning to look a lot like Christmas as he explains ‘bokeh’
SET UP TO SHOOT WONDERFUL CHRISTMAS IMAGERY
Get set to photograph a beautiful display of bokeh and boost your depth-of-field knowledge
PROJECT 2
PROP CLOSE TO TREE @ f/1.8 P ROP
STEP BY STEP BLACK & WHITE PRINTING
Get set to achieve accurate and contrast-rich mono prints every time
Brilliant black and white home prints
Dan Mold proves that printing high-quality black and white photos at home isn’t as difficult, or as expensive, as it might seem
Festive fun with filters
James Paterson reveals how to use the new neural filters in Photoshop CC to transform a photograph into a cute and creative Christmas image
STEP BY STEP STYLE TRANSFER EFFECTS
Transfer the look of an artwork to your own images with these new filters
STEP BY STEP WINTER WONDERLANDS
Paint snow over your images by creating your own custom brush in Affinity Photo
Audun Rikardsen
Professional photographers reveal their top six tools of the trade they couldn’t shoot without
ESSENTIALS
INSPIRATIONS
STUNNING IMAGERY FROM THE WORLD OF CANON PHOTOGRAPHY
ESSENTIAL GUIDE CANON EOS R SYSTEM
Mirrors? They’re so 2017! With the launch of the latest EOS R cameras and RF lenses, Canon has raised the bar for mirrorless camera performance
First steps into full-frame
What are the big differences between an EOS R system camera and an EOS DSLR – and how does Canon’s first full-frame mirrorless camera body shape up today?
Expanding the EOS R system
Whether you want a camera that raises the bar for hybrid stills and video performance, or an easy-to-use entry into full-frame mirrorless, the EOS R system has something to offer
RF mount advantage
What makes RF lenses such highly-prized (and priced) performers? How about optical excellence and new levels of creative freedom for starters?
Latest RF lens line up
Canon camera systems live or die based on their strength of lens support. Fortunately the EOS R has some of the best lenses Canon has ever produced
Beneath the mighty Grand Tetons
Mormon Row and Highway 191, Grand Tetons mountain range. 15 January 2019
GuruShots
We joined up with online photo game GuruShots to print the winning images from the Nightfall challenge. Over 21 million votes were cast, and these are the best photos!
Reveal detail in Raws
Dan Mold shows you how to squeeze extra detail from your Raw files
HOW TO REVEAL HIDDEN RAW EXPOSURE INFORMATION
Get the most out of your larger Raw files with our Elements-friendly Split-Raw technique
GEORGE LOGAN
His imagery has featured in memorable ad campaigns, but now George Logan is focusing on a hard reality – using his images to save lions. He tells Keith Wilson about his book and working with Born Free…
THE MASSACRE
George’s favourite image from the book is the prelude to a grim tale
GEORGE LOGAN
Professional wildlife and advertising photographer
DAVID NEWTON
All-round Canon pro photographer David talks about his craft…
FOCUSPOINT
We’d love to hear your thoughts on the magazine and all things photographic! Email us at p photoplus@futurenet.com
CANON SCHOOL
Increase depth of field
Maximize the power of your Canon camera and lens with focus stacking
STEP BY STEP GET SHARP SHOTS FRONT TO BACK
Use focus stacking and Canon’s free DPP software to create fully sharp photographs
Make some noise
Or rather, don’t! Deal with the image quality problems associated with high ISOs
Increasing the ISO
What to know when shooting at higher ISOs
Nailing exposure
Fixing underexposed photographs
Multi Shot Noise Reduction
Get strong noise reduction without so much smudging
High ISO noise reduction
Tweak this setting when shooting JPEG
School tip Set viewfinder warnings
Make sure you don’t leave Multi Shot Noise Reduction active
Taking it further in software
Shoot Raw and you get more flexibility for post-shoot noise reduction
EOS S.O.S
Our technical guru is here to help. No Canon conundrum is too big or small. Get in touch today at EOSSOS@futurenet.com
Controlling shutter speed
How electronic and mechanical shutters differ, and when to use them
NEW TESTS
GEAR UPDATE
Our round-up of the latest digital photography must-haves
GIFTS GALORE FOR CHRISTMAS 2020
Perfect presents to treat the Canon photographer you love – or yourself!
BUYERS’ GUIDE
With prices ranging from a couple of hundred
BUYERS’ GUIDE
With prices ranging from a couple of hundred to a few thousand, Canon has an EOS camera to suit everyone, from the complete beginner to most demanding pro…
BUYERS’ GUIDE
With more than 190 lenses for Canon EOS cameras, picking the best for the job can be a minefield. Here’s the lowdown!
BUYERS’ GUIDE
Contacts Canon www.canon.co.uk Peleng www.digitaltoyshop.co.uk Samyang www.samyang-lens.co.uk
PRINTER TESTS
CANON imagePROGRAF PRO-300 printer
The new Canon imagePROGRAF PRO is a 13-inch printer that takes A3+ photo home-printing to a whole new level
LENS TEST
CANON RF 70-200mm F2.8L IS USM
The RF 70-200mm F2.8L IS USM is around £500 more than the brilliant EF 70-200mm f/2.8L Mark III – so is it worth it?
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