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Black+White Photography Magazine March 2016 Edição anterior

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308 Comentários   •  English   •   Art & Photography (Photography)
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In this month’s B+W Argentinian photographer Santiago Porter shares his evocative portrayal of an itinerant life; Lewis Bush captures the changing face of London; we look at Janet Mendelsohn’s moving documentary from the 1960s; Shoair Mavlian explores the links between performance and photography; Lee Frost shows you how to shoot reportage in Cuba; plus find out how to win your own solo exhibition in our new competition.

Plus:

• The innovative camera DXO One is put to the test.

• Tim Clinch looks at the difference between post-production and cheating.

• Susan Burnstine talks to Philip Augustin about his intriguing abstracts.

• Tim Daly on starting a waterscape project.

• All this plus news, reviews, our favourite readers’ pictures and the exhibition to see this month.
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Black+White Photography

March 2016 In this month’s B+W Argentinian photographer Santiago Porter shares his evocative portrayal of an itinerant life; Lewis Bush captures the changing face of London; we look at Janet Mendelsohn’s moving documentary from the 1960s; Shoair Mavlian explores the links between performance and photography; Lee Frost shows you how to shoot reportage in Cuba; plus find out how to win your own solo exhibition in our new competition. Plus: • The innovative camera DXO One is put to the test. • Tim Clinch looks at the difference between post-production and cheating. • Susan Burnstine talks to Philip Augustin about his intriguing abstracts. • Tim Daly on starting a waterscape project. • All this plus news, reviews, our favourite readers’ pictures and the exhibition to see this month.


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Black+White Photography  |  March 2016  


In this month’s B+W Argentinian photographer Santiago Porter shares his evocative portrayal of an itinerant life; Lewis Bush captures the changing face of London; we look at Janet Mendelsohn’s moving documentary from the 1960s; Shoair Mavlian explores the links between performance and photography; Lee Frost shows you how to shoot reportage in Cuba; plus find out how to win your own solo exhibition in our new competition.

Plus:

• The innovative camera DXO One is put to the test.

• Tim Clinch looks at the difference between post-production and cheating.

• Susan Burnstine talks to Philip Augustin about his intriguing abstracts.

• Tim Daly on starting a waterscape project.

• All this plus news, reviews, our favourite readers’ pictures and the exhibition to see this month.
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Black+White Photography is the champion of the B&W image. The magazine features stunning contemporary images from some of the finest names in black & white. As well techniques and tips, product news and reviews, every issue provides opportunities for readers to have their work published and to benefit from a variety of competitions and workshops. Black+White Photography is considered a ‘must read’ for anyone interested or working in the creative world of B&W imaging.

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Receberá 12 edições durante um ano Black+White Photography assinatura da revista.

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Very good magazine in need of some fresh perspectives

For the most part, I find B/W Photography Magazine essential reading: well-written; informative and with a good balance between different styles and methods. I especially like features about photographers and their work, the news and the book section.

I have one reservation. Apart from Lee Frost, I no longer read any of the staff writer/photographers. I feel that it is time for some fresh ideas and new perspectives.
Revisto 06 abril 2022

Black + White Photography

It is one of the best photography magasines around. I so look forward to the arrival of each an every issue Revisto 18 fevereiro 2021

Black + White Photography

Superbly focused to the subject of B+W fine art and photography! Revisto 12 fevereiro 2021

Black + White Photography

Very good magazine with lots of interesting information. Revisto 05 janeiro 2021

Black + White Photography

Have been reading this for years on my iPads, but have just found to my great pleasure that I can now experience your beautiful magazine full screen on the iMac! Thank you, thank you, thank you! Revisto 01 outubro 2020

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