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W ith the approach of Christmas, there are some seasonal treats in the latest issue of Dancing Times. That much-loved dancer Adam Cooper returns to the UK stage this month to appear in Matthew Bourne’s The Red Shoes at Sadler’s Wells, and we find out what he has been up to since he was last here in an interview with Gerald Dowler. We also hear from the stage designer Dick Bird, who so brilliantly reimagined Birmingham Royal Ballet’s lovely production of The Nutcracker for its performances at the Royal Albert Hall, and who is now working on a new piece for David Bintley and Sarasota Ballet next spring.
Also this month, we come to the end of Fátima Nollén’s series on dance in Latin America. It has given us a fascinating insight into a dance scene not often reported on here, and, to mark the “series finale”, we also catch up with Thiago Soares and Iñaki Urlezaga, two South American dancers familiar to us from their performances with The Royal Ballet. In addition, Lee Knights introduces us to bachata, a popular Latin dance originating from the Dominican Republic. Which leaves me just to wish all our readers a very Merry Christmas, and a Happy New Year.
JONATHAN GRAY
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Dancing Times

December 2019 W ith the approach of Christmas, there are some seasonal treats in the latest issue of Dancing Times. That much-loved dancer Adam Cooper returns to the UK stage this month to appear in Matthew Bourne’s The Red Shoes at Sadler’s Wells, and we find out what he has been up to since he was last here in an interview with Gerald Dowler. We also hear from the stage designer Dick Bird, who so brilliantly reimagined Birmingham Royal Ballet’s lovely production of The Nutcracker for its performances at the Royal Albert Hall, and who is now working on a new piece for David Bintley and Sarasota Ballet next spring. Also this month, we come to the end of Fátima Nollén’s series on dance in Latin America. It has given us a fascinating insight into a dance scene not often reported on here, and, to mark the “series finale”, we also catch up with Thiago Soares and Iñaki Urlezaga, two South American dancers familiar to us from their performances with The Royal Ballet. In addition, Lee Knights introduces us to bachata, a popular Latin dance originating from the Dominican Republic. Which leaves me just to wish all our readers a very Merry Christmas, and a Happy New Year. JONATHAN GRAY


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Dancing Times  |  December 2019  


W ith the approach of Christmas, there are some seasonal treats in the latest issue of Dancing Times. That much-loved dancer Adam Cooper returns to the UK stage this month to appear in Matthew Bourne’s The Red Shoes at Sadler’s Wells, and we find out what he has been up to since he was last here in an interview with Gerald Dowler. We also hear from the stage designer Dick Bird, who so brilliantly reimagined Birmingham Royal Ballet’s lovely production of The Nutcracker for its performances at the Royal Albert Hall, and who is now working on a new piece for David Bintley and Sarasota Ballet next spring.
Also this month, we come to the end of Fátima Nollén’s series on dance in Latin America. It has given us a fascinating insight into a dance scene not often reported on here, and, to mark the “series finale”, we also catch up with Thiago Soares and Iñaki Urlezaga, two South American dancers familiar to us from their performances with The Royal Ballet. In addition, Lee Knights introduces us to bachata, a popular Latin dance originating from the Dominican Republic. Which leaves me just to wish all our readers a very Merry Christmas, and a Happy New Year.
JONATHAN GRAY
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Dancing Times is Britain’s leading dance monthly. Dedicated to dance since 1910, every issue of Dancing Times is packed with news, reviews and features on ballet, contemporary dance and musical theatre, as well as interviews with dance stars, health and education features, study supplements and our Into Dance section for younger readers.

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I think more contemporary dance reviews and dance artists from this discipline are missing. I love the magazine, it only seems to cover mainly ballet and ballroom. Revisto 15 agosto 2020

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Amazing product and is so lovely to read about our current dancers and choreographers!! Revisto 28 janeiro 2019

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