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THE STORMING OF ATROPOS
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LESS THAN 1 TEMPO DE LEITURA MIN
THE DWM INTERVIEW
THE STORMING OF ATROPOS
A team from Division (Jacob Anderson, Jodie Whittaker, Mandip Gill and John Bishop) prepare to enter the Temple of Atropos in
Once, Upon Time.
CGI was used to create the effect of the Temple doors being blown away.
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VER OFERTAS
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Doctor Who Magazine
573
VER NA LOJA
Outros artigos desta edição
In This Issue
Welcome
W hatever else 2022 may have in store
REGULARS
Chris Achilléos 1947-2021
The latest official news from every corner of the Doctor Who universe
Bambera’s Brave New World
UNIT’s Brigadier Winifred Bambera is set to return
Robot Figures
Character Options’ first Doctor Who Collector Figure Set
Vinyl Nest
Hornets’ Nest, a sequence of audio adventures by
Chronicles: 2007
The next issue in the acclaimed Doctor Who:
Galaxy Forum
Your views on the world of Doctor Who
The Daft Dimension
WHO TUBE
This issue’s selection of Who- related videos
Time and Space VISUALISER
Each issue, the Time and Space Visualiser looks back at a landmark moment and provides updates on Doctor Who luminaries, past and present…
THIS MONTH IN... 2065
The Daleks comic strip begins in the first
Public Image
All the seven-day ratings for Flux are now in, but TOM SPILSBURY explains that these figures don’t tell the whole story…
Reviews
Our verdict on the latest episodes and products
EVE OF THE DALEKS
The BBC’s promotional artwork for Eve of the
Doctor Who: The Collection – Season 17
Blu-ray BBC Studios RRP £44.99 Featuring Tom Baker
Audio Frequencies
Reviewed this issue Forty Featuring The
Torchwood: The Grey Mare
The traditional Christmas ghost story does seem like
Competitions
Your chance to bag the latest Who goodies!
FORTY AUDIO DRAMA
F orty is a new box set of
PELADON AUDIO DRAMA
P eladon is a new collection of full-cast
WATCHERS AUDIOBOOK
W atchers is a new audiobook, written and
TIME AND THE RANI AUDIOBOOK
Bonnie Langford reads Pip and Jane Baker’s novelisation
Coming Soon …
We talk to the talents behind the upcoming Doctor Who releases
Producing Short Trips
Adèle Anderson narrates Death Will Not Part Us.
The Lone Centurion Camelot
A rthur Darvill returns as Rory Williams for
Charlotte Pollard The Further Adventuress
Caroline Tankersley’s cover art for Charlotte Pollard:
Upcoming Releases
AUDIOS FEBRUARY RELEASES s The Ninth Doctor Adventures:
The DWM Christmas Quiz
We wanted to keep you busy over the festive season, so set the bar high for last issue’s quiz. Here’s EDDIE ROBSON with all the answers for anyone who’s still baffled…
Next Issue...
Michael Ferguson Directing in the 1960s and 70s
FEATURES
THE DIGITAL AGE
From CSO to CGI, Doctor Who has always had a reputation for being at the forefront of technological developments in television. JONATHAN HELM charts the history of digital effects in Doctor Who from the 1970s to the most recent episodes, and beyond…
DIGITAL PIONEER
Ron Thornton with the Scorpio model he built
FROM MILL TO MILK
When Doctor Who resumed production in 2004, the
AHEAD OF THE GAME
The arrival of digital technology didn’t just impact the production of the television series. As CHRIS DRING explains, Doctor Who’s sometimes uneasy relationship with the world of computer games got off to a difficult start
JUST THE TYPE
The March 1983 issue of Computer & Video
PORTRAIT OF THE ARTIST
CHRIS ACHILLÉOS , who died on 6 December, established an iconic style for the covers of Target’s Doctor Who novelisations. STUART MANNING talks to friends, fans and family about the man whose images enthralled and inspired generations of readers
COVER STORIES
BBC Audio’s commissioning editor, Michael Stevens, helped to
JOINING THE DOTS
Anthony Dry successfully recreated Chris Achilléos’ s tyle
A BENCHMARK FOR EXCELLENCE
I bought the Target books from 1974 onwards,
THE BRISTOL BOY
The writer BOB BAKER, who passed away on 2 November, gave us some of the 1970s’ most memorable stories – as well as the series’ endearing robot dog, K9. But Doctor Who was just part of his impressive legacy. GARY HOPKINS pays tribute to his friend and colleague
DOG DAYS
PAUL M TAMS remembers working with “one of the all-time best” on the 2009 series K9.
The Beast Below
Revealing the secrets of the Doctor’s adventures – scene by scene
Essential Info
Although broadcast second in the 2010 season, Amy
STARSHIP ALBA
Scotland wanted their own ship, young Mandy tells
THE MONARCH IN SPACE
En route to her royal residence, Liz X
INTERVIEWS
BRUSHING UP
In the last few years of Doctor Who’s original run, digital technology opened up new possibilities for video effects. NEIL OSEMAN speaks to matte artist JIM McCARTHY about his work with the Quantel Paintbox
OUTSIDE THE TARDIS
B esides Doctor Who, Jim worked on included
FILMING THE IMPOSSIBLE
DAVE BANNISTER and ANDREW ROBERTSON were given the daunting task of destroying the universe in Flux. As they neared the end of that process, they spoke to PAUL KIRKLEY about their responsibilities as the series’ visual effects supervisors
THE CRIMEAN WAR CHARGE
FILMING THE IMPOSSIBLE
LUPARI SHIPS
The Lupari space fleet and a CG render
THE FLUX
An early CGI test for how the Flux
THE BIODOME
CGI was used to enhance and extend Dafydd
THE DOCTOR ANGEL
The Doctor Angel wireframe, with reference photos of
Myths and (Urban) Legends
Playing Cassandra in 1965’s The Myth Makers might not have been the happiest experience of FRANCES WHITE ’s career. But, she tells PAUL KIRKLEY , she’s proud to have been in Doctor Who – and definitely never asked for her name to be struck from the record
Pig Deal
Frances voices Granny Pig (far right) in
Love and Daleks
Composer SEGUN AKINOLA and EMILY COOK discuss the musical juxtaposition of romance and Daleks in the New Year’s Day Special
SOURCE MATERIAL
In the second instalment of a two-part feature exploring the costume-design process for Flux, RAY HOLMAN tells EMILY COOK about his negotiations for a tie from Italy, why he repurposed UNIT’s shin guards for Division Combat and how he achieved a retro vibe for Vinder
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