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f2 Cameracraft Magazine October 2013 Vol 7 No 7 Edição anterior

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24 Comentários   •  English   •   Art & Photography (Photography)
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Special Feature: Secret Weapons! This month Gavin Stoker talks to pros across a breadth of the medium about the techniques and tech they rely upon to get the very best out of their subjects

The f2 Profile: Starting out on seminal 1980s magazine Blitz, commercial and editorial freelance Mark Harrison has spent much of his career shooting celebrities for clients including The Times Magazine and The Observer. Now looking to move in a new direction, he tells David Land about finding an agent, the evolution of his style, and his conviction of the way video influence the way we work in the years to come
Leamington Spa-based wedding and commercial freelance Matt Gillespie is Turning Pro, he talks to f2 about the importance of building a diverse portfolio as he grows his business

The Business Section:
A staffer at EMAP for two decades, Adam Duckworth gave it all up to become a freelance in 2007. Knowing the editorial industry from the inside, he has fast become one of the most sought after and versatile freelances on the circuit.
Top wildlife photographer Jules Cox, meanwhile remains determinedly semi-pro: telling f2 how he splits his time between photographing wildlife and working as a lawyer

Technical Section
Adam Woolfitt casts his gimlet eye over Light Blue version 4.3 (beta), the desktop business management software for photographers.
Kevin Carter reports on Canon’s first radio controlled flashgun, the Speedlite 600EX-RT
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f2 Cameracraft

October 2013 Vol 7 No 7 Special Feature: Secret Weapons! This month Gavin Stoker talks to pros across a breadth of the medium about the techniques and tech they rely upon to get the very best out of their subjects The f2 Profile: Starting out on seminal 1980s magazine Blitz, commercial and editorial freelance Mark Harrison has spent much of his career shooting celebrities for clients including The Times Magazine and The Observer. Now looking to move in a new direction, he tells David Land about finding an agent, the evolution of his style, and his conviction of the way video influence the way we work in the years to come Leamington Spa-based wedding and commercial freelance Matt Gillespie is Turning Pro, he talks to f2 about the importance of building a diverse portfolio as he grows his business The Business Section: A staffer at EMAP for two decades, Adam Duckworth gave it all up to become a freelance in 2007. Knowing the editorial industry from the inside, he has fast become one of the most sought after and versatile freelances on the circuit. Top wildlife photographer Jules Cox, meanwhile remains determinedly semi-pro: telling f2 how he splits his time between photographing wildlife and working as a lawyer Technical Section Adam Woolfitt casts his gimlet eye over Light Blue version 4.3 (beta), the desktop business management software for photographers. Kevin Carter reports on Canon’s first radio controlled flashgun, the Speedlite 600EX-RT


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f2 Cameracraft  |  October 2013 Vol 7 No 7  


Special Feature: Secret Weapons! This month Gavin Stoker talks to pros across a breadth of the medium about the techniques and tech they rely upon to get the very best out of their subjects

The f2 Profile: Starting out on seminal 1980s magazine Blitz, commercial and editorial freelance Mark Harrison has spent much of his career shooting celebrities for clients including The Times Magazine and The Observer. Now looking to move in a new direction, he tells David Land about finding an agent, the evolution of his style, and his conviction of the way video influence the way we work in the years to come
Leamington Spa-based wedding and commercial freelance Matt Gillespie is Turning Pro, he talks to f2 about the importance of building a diverse portfolio as he grows his business

The Business Section:
A staffer at EMAP for two decades, Adam Duckworth gave it all up to become a freelance in 2007. Knowing the editorial industry from the inside, he has fast become one of the most sought after and versatile freelances on the circuit.
Top wildlife photographer Jules Cox, meanwhile remains determinedly semi-pro: telling f2 how he splits his time between photographing wildlife and working as a lawyer

Technical Section
Adam Woolfitt casts his gimlet eye over Light Blue version 4.3 (beta), the desktop business management software for photographers.
Kevin Carter reports on Canon’s first radio controlled flashgun, the Speedlite 600EX-RT
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