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The Critic Magazine Apr 24 Edição anterior

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16 Comentários   •  English   •   General Interest (News & Current Affairs)
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The Critic magazine’s April issue is a Spring music special featuring Alexandra Wilson and Richard Bratby on why classical music is fighting to be heard (and funded), Helen Barrett on the problem of finding venues for medium-sized bands, Haydn Middleton on the dark perfection of The Kinks and Alexander Larman on W.S. Gilbert, whilst Norman Lebrecht says farewell to the conductor, Seiji Ozawa.

Also, Helen Joyce cautions against mental health therapies that convince young people they are unwell, Charles Saumarez Smith revisits the work of the architect who inspired George Orwell’s Ministry of Truth, James Innes-Smith argues that cinema has lost its confidence with love stories, Rufus Bird explains why contemporary art is outselling Old Masters and Nick Timothy calculates why the English Premier League has become a high-scoring goal fest.
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The Critic

Apr 24 The Critic magazine’s April issue is a Spring music special featuring Alexandra Wilson and Richard Bratby on why classical music is fighting to be heard (and funded), Helen Barrett on the problem of finding venues for medium-sized bands, Haydn Middleton on the dark perfection of The Kinks and Alexander Larman on W.S. Gilbert, whilst Norman Lebrecht says farewell to the conductor, Seiji Ozawa. Also, Helen Joyce cautions against mental health therapies that convince young people they are unwell, Charles Saumarez Smith revisits the work of the architect who inspired George Orwell’s Ministry of Truth, James Innes-Smith argues that cinema has lost its confidence with love stories, Rufus Bird explains why contemporary art is outselling Old Masters and Nick Timothy calculates why the English Premier League has become a high-scoring goal fest.


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The Critic  |  Apr 24  


The Critic magazine’s April issue is a Spring music special featuring Alexandra Wilson and Richard Bratby on why classical music is fighting to be heard (and funded), Helen Barrett on the problem of finding venues for medium-sized bands, Haydn Middleton on the dark perfection of The Kinks and Alexander Larman on W.S. Gilbert, whilst Norman Lebrecht says farewell to the conductor, Seiji Ozawa.

Also, Helen Joyce cautions against mental health therapies that convince young people they are unwell, Charles Saumarez Smith revisits the work of the architect who inspired George Orwell’s Ministry of Truth, James Innes-Smith argues that cinema has lost its confidence with love stories, Rufus Bird explains why contemporary art is outselling Old Masters and Nick Timothy calculates why the English Premier League has become a high-scoring goal fest.
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The Critic is Britain’s new monthly magazine that focuses on politics, art, literature, opinions, challenging ideas, diversions and more. Co-edited by Michael Mosbacher and Christopher Montgomery, The Critic speaks against a dangerous consensus that finds critical voices triggering, troubling, insensitive and disrespectful. Each monthly issue is comprised of highly honest and informed writing, rigorous content and thoughtful reflections from an opinion society.


The Critic provides open-minded readers with an honest view of all sides of today’s political and cultural debates, as well as asking the hard-hitting questions that other publications won’t. Discover a variety of regular features that speak honestly and lucidly about today’s current affairs and explore the opinions which govern modern Britain and so much more in every monthly issue.


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Examine the stories, opinions, ideas and thoughts surrounding today’s current affairs with a digital subscription to The Critic magazine. In each monthly issue enjoy:

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