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The Critic Magazine May 2025 Edição anterior

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18 Comentários   •  English   •   General Interest (News & Current Affairs)
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The May issue of The Critic asks whether the future of British conservatism rests not with Kemi Badenoch nor Nigel Farage but Robert Jenrick, Patrick Porter assesses the risks and limits of a British military presence in Ukraine, Daniel DePetris unpicks President Trump’s tactics towards Iran, Jo Bartosch talks to Reem Alsalem the UN’s “sex realist” rapporteur on violence against women, and Barry Norris goes on a road trip through Javier Milei’s Argentina. Max Bayliss finds reasons to be cheerful in England’s remaining monasteries, and Jacob Phillips enjoys suburban solace at a Hare Krishna mock Tudor mansion, but Patrick Kidd is less happy that even affluent Blackheath is becoming a retail wasteland. New theatre critic Alexander Larman reviews Manhunt, Adam LeBor salutes Netflix’s The Leopard, stylist Hannah Betts looks good in polka dots, Norman Lebrecht loses hope for Russian classical composition under Putin, and Boris Starling bids farewell to Everton’s Goodison Road.
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The Critic

May 2025 The May issue of The Critic asks whether the future of British conservatism rests not with Kemi Badenoch nor Nigel Farage but Robert Jenrick, Patrick Porter assesses the risks and limits of a British military presence in Ukraine, Daniel DePetris unpicks President Trump’s tactics towards Iran, Jo Bartosch talks to Reem Alsalem the UN’s “sex realist” rapporteur on violence against women, and Barry Norris goes on a road trip through Javier Milei’s Argentina. Max Bayliss finds reasons to be cheerful in England’s remaining monasteries, and Jacob Phillips enjoys suburban solace at a Hare Krishna mock Tudor mansion, but Patrick Kidd is less happy that even affluent Blackheath is becoming a retail wasteland. New theatre critic Alexander Larman reviews Manhunt, Adam LeBor salutes Netflix’s The Leopard, stylist Hannah Betts looks good in polka dots, Norman Lebrecht loses hope for Russian classical composition under Putin, and Boris Starling bids farewell to Everton’s Goodison Road.


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The Critic issue May 2025

The Critic  |  May 2025  


The May issue of The Critic asks whether the future of British conservatism rests not with Kemi Badenoch nor Nigel Farage but Robert Jenrick, Patrick Porter assesses the risks and limits of a British military presence in Ukraine, Daniel DePetris unpicks President Trump’s tactics towards Iran, Jo Bartosch talks to Reem Alsalem the UN’s “sex realist” rapporteur on violence against women, and Barry Norris goes on a road trip through Javier Milei’s Argentina. Max Bayliss finds reasons to be cheerful in England’s remaining monasteries, and Jacob Phillips enjoys suburban solace at a Hare Krishna mock Tudor mansion, but Patrick Kidd is less happy that even affluent Blackheath is becoming a retail wasteland. New theatre critic Alexander Larman reviews Manhunt, Adam LeBor salutes Netflix’s The Leopard, stylist Hannah Betts looks good in polka dots, Norman Lebrecht loses hope for Russian classical composition under Putin, and Boris Starling bids farewell to Everton’s Goodison Road.
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The Critic is Britain’s new monthly magazine that focuses on politics, art, literature, opinions, challenging ideas, diversions and more. Co-edited by Michael Mosbacher and Christopher Montgomery, The Critic speaks against a dangerous consensus that finds critical voices triggering, troubling, insensitive and disrespectful. Each monthly issue is comprised of highly honest and informed writing, rigorous content and thoughtful reflections from an opinion society.


The Critic provides open-minded readers with an honest view of all sides of today’s political and cultural debates, as well as asking the hard-hitting questions that other publications won’t. Discover a variety of regular features that speak honestly and lucidly about today’s current affairs and explore the opinions which govern modern Britain and so much more in every monthly issue.


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