Eduard Melkus performing in Vienna in the 1960s
Violin lovers have a special place in their hearts for Viennese iddlers, and they happily reel of the great names: Fritz Kreisler, Erica Morini, Wolfgang Schneiderhan, Willi Boskovsky, Walter Barylli…and Eduard Melkus, who turned 90 last September. Of them all, Melkus, who barely plays now, is the most versatile. Renowned as an early music pioneer, he has also played music by Hindemith and Webern, Bartók’s Solo Sonata and Viola Concerto and the violin concertos by Berg, Reger (rather cut), Schumann (his own edition, incorporating some of Kulenkampf’s and Hindemith’s changes) and Wellesz, which he premiered in 1962. He led quartets in Switzerland and America and either directed or conducted his own chamber orchestras in Baroque and Classical repertoire.
He was born in Baden near Vienna on 1 September 1928 to parents who played music for pleasure – mostly the piano. His father, an official in the inance ministry, and his aunt commanded a vast range of four-hand pieces, and it was his mother who encouraged his ambitions: ‘It was against the family tradition to become professional,’ he tells me. ‘Musicians were considered a little bit like vagabonds – which we are!’