Kevin Scully takes a fresh look at still life, and uses gouache to create some compositions from unusual viewpoints

Kevin Scully

Jenny’s Boots, gouache, 13 × 9in (33 × 23cm).

When we think of a still-life painting the first thing that springs to mind is a grouping of objects together in a table-top set up. Whilst there is nothing wrong with this type of composition, it’s worth considering some other ideas.

So, rather than arranging your objects in a traditional way, think more about alternative and quirky viewpoints. Experiment by pushing the boundaries – view your composition from above, either directly over the objects, or at a slight angle. Even mundane objects take on an extra dimension when seen from an elevated position. A slightly more abstract painting can be produced when thinking outside the box.

Backdrop and lighting

When setting out your objects, try to think of a way to entice the viewer’s eye into the picture. Perspective will be exaggerated and there will be no conventional backdrop against which to set your arrangement. Instead, there will either be a surface of some kind, some fabric, or perhaps even a floor. This can become an important element in the painting or even possibly the focal point. Consider a group of simple objects on a patterned carpet or tiled floor. Try taking some photographs or viewing your composition from above using a simple card viewfinder, and then rotate the image to see if there’s a more interesting viewpoint.