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MAKING MATTERS

Seeing is believing

Points of interest to violin and bow makers

Luiz Amorim demonstrates how infrared reflectography can be used in violin restoration, as a non-invasive method for diagnosing problems

Lutherie

Accumulation of minerals in the wood grain is not reflected in the IR light FIGURE 1 Back plate of the Testore violin. In natural light, darker lines along the centre joint appear concerning; however, the infrared image behind confirms they are non-reflective mineral streaks within the wood grain – not cracks or repairs.

In the study of fine violins, every detail matters – especially the ones hidden from the naked eye. While traditional lutherie relies on touch, intuition and trained visual assessment, modern technology increasingly offers tools that reveal what lies beneath the varnish. Among them, infrared reflectography (IRR) is emerging as part of a quiet revolution in condition diagnostics.

Long known for its use in analysis of paintings, IRR has more recently found its place among the diagnostic techniques used by violin experts. By capturing the way near-infrared (IR) light reflects off a surface and penetrates through layers of varnish, dust and retouching, it offers a non-invasive glimpse beneath the surface. IRR is now used alongside other technologies such as dendrochronology, ultraviolet fluorescence, X-ray imaging and comparative analysis. What IRR reveals can influence both restoration decisions and the real condition of historical instruments.

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The Strad
November 2025
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The Strad
Contributors
This month's writers for The Strad
Soundpost
Letters, emails, online comments
Contents
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EDITORIAL
Editor's letter
By Emma Baker
FRONT
On The Beat: News And Analysis
News and events from around the world
OBITUARIES
KEN FREED US violist Ken Freed died
On The Beat: Premiere
Premiere of the Month
On The Beat: Competitions
Awards news from around the world
New Products
The latest items for string players
Life Lessons
The memories and opinions of US violinist Melissa White
Opinion
Cellist and teacher Naomi Yandell outlines the reasons why duet playing is an essential tool in one-to-one instrumental teaching
Postcard from California
A report from the 2025 Music@Menlo festival
Postcard from Idaho
The aptly named Sun Valley Music Festival
FEATURES
Itzhak Perlman at 80
As he enters his ninth decade, the Israeli–American violinist tells Ariane Todes about his long career and his surprising new role as a social media star
American bows in 1925
Raphael Gold explores why the Jazz Age saw a boom in US bow production, tells the stories of some of the key protagonists and examines several of their bows
Calidore Quartet
The four members of the New York-based group speak to Thomas May about their training, repertoire choices, and recording Beethoven’s complete quartets
Hindemith 130
To mark the 130th anniversary of his birth, Carlos María Solare examines the composer’s life and career, focusing on the years he spent in the United States
Session Report
British violinist Chloë Hanslip talks to Harry White about her latest album featuring concertos by US composers Robert Russell Bennett and Vernon Duke
Early amplified instruments
At the dawn of the recording era, violin makers tried a number of different ways to make their instruments louder. Clifford Hall looks at some of their solutions
REGULARS
In Focus
Claudio Amighetti examines a violin made in 1705 by Antonio Maria Lavazza
Trade Secrets
Innovative home-made tools
My Space
LOCATION Chendamangalam, India
Masterclass
Liza Ferschtman on the second movement of the Brahms Violin Concerto
Technique
Violist Alan George discusses string quartet playing through a viola lens
Reviews: Concerts
A critical round-up of performances
Reviews: Recordings
The latest physical and digital recordings
Reviews: Books
Publications of interest to the string music world
From The Archive
From November 1905
Sentimental Work
Krysia Osostowicz on playing Shostakovich’s String Quartet no.15
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