REDISCOVERED
STUART MOXHAM
Fabstract
7/10 Lost sketches of a Young Marble Giant
TINY GLOBAL
Stuart Moxham: resonating quietly
THEY have a strange legacy, Young Marble Giants. Everything Stuart Moxham has done since – his subsequent band The Gist; any number of collaborations – is overshadowed by that weird, under-developed album from 1980, Colossal Youth. That record was a masterpiece of understatement and introversion. The modestripples it made reached far and wide, but it remains a small miracle that anyone heard it amid the scratchy chaos of post-punk. Listen to Hole’s over-carbonated assault on YMG’s “Credit In The Straight World” with the word “die” stretched over several syllables, and you quickly appreciate what made Young Marble Giants great. They made no rock gestures. They were a lo-fi experiment, glacial and muted. They cared little about production. Their sound is based on drum machine rhythms bounced through a cassette, mixing garden shed techno with the Sunday school primness of Alison Statton’s vocals.