Drama and Theatre Magazine - Summer Term 2 2018/19 Back Issue

Drama and Theatre Magazine Summer Term 2 2018/19 Back Issue

English

Only $5.99

Courses for introducing you and your students to the many and varied skills needed for work in film and television; sources for new and exciting play texts to perform with your students; and a look at the changes in the new LAMDA exam syllabuses coming into effect from 1 August.

Plus, tips for managing behaviour in your drama studio; Matt Beames’ fresh approaches to Sleeping Beauty and Cinderella for student performers; the Dundee Rep’s work experience theatre takeover; generating ideas about characters and situations using the ‘rumours and eavesdropping’ drama strategy; young playwright Sami Ibrahim on winning Theatre Uncut’s first ever Political Playwriting Award; theatre practitioner Vsevolod Meyerhold; The Lir Academy’s Master of Fine Arts in Playwriting at Trinity College, Dublin; drama highlights from London’s Music & Drama Education Expo; and is Damian Hind’s ‘Five Foundations to Build Character’ a positive new policy for drama teaching?

Drama and Theatre

Summer Term 2 2018/19 Courses for introducing you and your students to the many and varied skills needed for work in film and television; sources for new and exciting play texts to perform with your students; and a look at the changes in the new LAMDA exam syllabuses coming into effect from 1 August. Plus, tips for managing behaviour in your drama studio; Matt Beames’ fresh approaches to Sleeping Beauty and Cinderella for student performers; the Dundee Rep’s work experience theatre takeover; generating ideas about characters and situations using the ‘rumours and eavesdropping’ drama strategy; young playwright Sami Ibrahim on winning Theatre Uncut’s first ever Political Playwriting Award; theatre practitioner Vsevolod Meyerhold; The Lir Academy’s Master of Fine Arts in Playwriting at Trinity College, Dublin; drama highlights from London’s Music & Drama Education Expo; and is Damian Hind’s ‘Five Foundations to Build Character’ a positive new policy for drama teaching?

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