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ArtReview Magazine November 2016 Back Issue

English
0 Reviews   •  English   •   Art & Photography (Art)
Only $5.99
The 2016 Power 100

The ranked list of this year's most influential people in the contemporary artworld, with profiles of each entry, including an extended profile for this year’s no.1: Hans Ulrich Obrist, plus accompanying features including:

Trevor Paglen: the American artist discusses exposing the invisible structures that governments use in order to control the public in an interview with Oliver Basciano. With a special artist project by the artist throughout the magazine and online

A History of Power: in the art game there are five kinds of players. Here player number five – the writer – places himself alongside the artist, collector, dealer and curator. By Martin Gayford

(Inter)national collections: With public funding in retreat, national museums are tapping private donors abroad. Thomas Forwood asks, how great an idea is that?

Biennial Burnout: While the number of international biennials continues to grow, the world lurches from one desperate crisis to the next. Joshua Dexter thinks it’s time to consider the real values of art.

On the Couch: ArtReview hops onto its own couch for the first time to do some serious self-reflection on the whole Power 100 business in a session with an angry therapist
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ArtReview

November 2016 The 2016 Power 100 The ranked list of this year's most influential people in the contemporary artworld, with profiles of each entry, including an extended profile for this year’s no.1: Hans Ulrich Obrist, plus accompanying features including: Trevor Paglen: the American artist discusses exposing the invisible structures that governments use in order to control the public in an interview with Oliver Basciano. With a special artist project by the artist throughout the magazine and online A History of Power: in the art game there are five kinds of players. Here player number five – the writer – places himself alongside the artist, collector, dealer and curator. By Martin Gayford (Inter)national collections: With public funding in retreat, national museums are tapping private donors abroad. Thomas Forwood asks, how great an idea is that? Biennial Burnout: While the number of international biennials continues to grow, the world lurches from one desperate crisis to the next. Joshua Dexter thinks it’s time to consider the real values of art. On the Couch: ArtReview hops onto its own couch for the first time to do some serious self-reflection on the whole Power 100 business in a session with an angry therapist


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ArtReview  |  November 2016  


The 2016 Power 100

The ranked list of this year's most influential people in the contemporary artworld, with profiles of each entry, including an extended profile for this year’s no.1: Hans Ulrich Obrist, plus accompanying features including:

Trevor Paglen: the American artist discusses exposing the invisible structures that governments use in order to control the public in an interview with Oliver Basciano. With a special artist project by the artist throughout the magazine and online

A History of Power: in the art game there are five kinds of players. Here player number five – the writer – places himself alongside the artist, collector, dealer and curator. By Martin Gayford

(Inter)national collections: With public funding in retreat, national museums are tapping private donors abroad. Thomas Forwood asks, how great an idea is that?

Biennial Burnout: While the number of international biennials continues to grow, the world lurches from one desperate crisis to the next. Joshua Dexter thinks it’s time to consider the real values of art.

On the Couch: ArtReview hops onto its own couch for the first time to do some serious self-reflection on the whole Power 100 business in a session with an angry therapist
read more read less

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