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ArtReview Magazine October 2018 Back Issue

English
0 Reviews   •  English   •   Art & Photography (Art)
Only $5.99
Pierre Huyghe
Ben Eastham on the artist who’s been shifting boundaries between art and life for over 30 years – and his latest experiments with AI at London’s Serpentine Gallery

Maurizio Cattelan
In his show for Gucci at Shanghai’s Yuz Museum, the Italian artist dreams of a world in which ‘the copy is the original’

Bruce Nauman
Why Nauman? asks Jonathan T.D. Neil, as the American artist’s show travels from Basel’s Schaulager to MoMA, New York.

Nicholas Mangan
The Australian artist’s work complicate relations between immaterial and material value, and the transmission of both into currency and its flows, says Mark Rappolt

Zeng Fanzhi
“It’s like a monk’s daily ritual” – One of China’s best-known artists talks to Aimee Lin and Mark Rappolt about the act of painting, and his multipart show across three branches of Hauser and Wirth.

The Large Glass, Burned
A new fiction piece exploring art and the blockchain, by Rob Myers

Plus…
Reviews from around the world
read more read less
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ArtReview

October 2018 Pierre Huyghe Ben Eastham on the artist who’s been shifting boundaries between art and life for over 30 years – and his latest experiments with AI at London’s Serpentine Gallery Maurizio Cattelan In his show for Gucci at Shanghai’s Yuz Museum, the Italian artist dreams of a world in which ‘the copy is the original’ Bruce Nauman Why Nauman? asks Jonathan T.D. Neil, as the American artist’s show travels from Basel’s Schaulager to MoMA, New York. Nicholas Mangan The Australian artist’s work complicate relations between immaterial and material value, and the transmission of both into currency and its flows, says Mark Rappolt Zeng Fanzhi “It’s like a monk’s daily ritual” – One of China’s best-known artists talks to Aimee Lin and Mark Rappolt about the act of painting, and his multipart show across three branches of Hauser and Wirth. The Large Glass, Burned A new fiction piece exploring art and the blockchain, by Rob Myers Plus… Reviews from around the world


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ArtReview  |  October 2018  


Pierre Huyghe
Ben Eastham on the artist who’s been shifting boundaries between art and life for over 30 years – and his latest experiments with AI at London’s Serpentine Gallery

Maurizio Cattelan
In his show for Gucci at Shanghai’s Yuz Museum, the Italian artist dreams of a world in which ‘the copy is the original’

Bruce Nauman
Why Nauman? asks Jonathan T.D. Neil, as the American artist’s show travels from Basel’s Schaulager to MoMA, New York.

Nicholas Mangan
The Australian artist’s work complicate relations between immaterial and material value, and the transmission of both into currency and its flows, says Mark Rappolt

Zeng Fanzhi
“It’s like a monk’s daily ritual” – One of China’s best-known artists talks to Aimee Lin and Mark Rappolt about the act of painting, and his multipart show across three branches of Hauser and Wirth.

The Large Glass, Burned
A new fiction piece exploring art and the blockchain, by Rob Myers

Plus…
Reviews from around the world
read more read less

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