Shopping Cart -

Your cart is currently empty.
Upgrade to today
for only an extra Cxx.xx

You get:

plus This issue of xxxxxxxxxxx.
plus Instant access to the latest issue of 310+ of our top selling titles.
plus Unlimited access to 27000+ back issues
plus No contract or commitment. If you decide that PocketmagsPlus is not for you, you can cancel your monthly subscription online at any time. Auto-renews at $14.99 per month, unless cancelled.
Upgrade Now for $14.99 Learn more
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
AU
Pocketmags Digital Magazines
   You are currently viewing the Australia version of the site.
Would you like to switch to your local site?
Read anywhere Read anywhere
Ways to pay Pocketmags Payment Types
Trusted site
At Pocketmags you get
Secure Billing
Great Offers
Web & App Reader
Gifting Options
Loyalty Points

COVER STAR VAUGHAN OLIVER

As the visual mastermind of the 4AD label, Vaughan Oliver designed some of the most artful sleeves of the 80s and 90s. Murray Stassen finds out how the label’s organic aesthetic evolved…

Most of the artists and photographers we’ve featured in these pages are freelancers who have worked for a variety of clients over the years. Vaughan Oliver is an exception, a man whose work – over more than three decades – has been largely commissioned by and become synonymous with one label alone: 4AD.

Working alongside colleagues such as photographer Nigel Grierson and Chris Bigg as 23 Envelope and later v23, Oliver pioneered an instantly recognisable style of sleeve design – at times otherworldly and mysterious, often striking, and usually featuring immaculately styled typography. He’s a unique sleeve designer with a body of work that can genuinely be described as beautiful, and his style was crucial in positioning the label at the artier end of the UK independent scene.

Unlike other designers who became sidetracked into a career in the music industry, Oliver had decided as a teenager that he wanted to design record sleeves. “It was in my thoughts before I started out, really,” he reveals, sat in his archive at The University For The Creative Arts in Epsom, where he teaches as a visiting professor.

READ MORE
Purchase options below
Find the complete article and many more in this issue of Long Live Vinyl - Jul-18
If you own the issue, Login to read the full article now.