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January 21
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YOUR VIEWS
STAR LETTER
This month’s star letter writer will receive a Sennelier portable watercolour palette, worth £29.95.
Facing the future
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January 21
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The Artist
WELCOME from the editor
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Next month in the artist
IN CONVERSATION Susie Hodge talks to Kate Newington
PLUS THIS MONTH
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THE ART WORLD
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PaintersOnline editor’s choice
Meet this month’s editor’s choice winner from our Painters Online gallery
FEATURES
Sun, sky and sea
Susie Hodge talks to Brian Fleming, past winner of The Artist Award at the Royal Society of Marine Artists exhibition, about why he prefers gouache for his detailed paintings of human activity
Online art classes - the future of learning?
Sarah Edmonds brings her current series to a close with a look at e-learning and how artists can benefit from tuition as well as set up their own online courses
Ask Jackson’s
Throughout the year, the Jackson’s team have been answering some of your most frequently asked questions about art materials on Painters Online. Here are some of the top questions from 2020.
PRACTICALS
Perspective - a point of view
Shirley Trevena explains her take on perspective and why you shouldn’t let the rules undermine your confidence
My favourite coloured pencils
Liz Seward is thrilled with the new Caran d’Ache Luminance 6901 Portrait Assortment of 20 colours as she uses them to demonstrate a portrait
The view of the front
Michelle Heron documents independent shops by painting their shop fronts in acrylics to create interesting and aesthetically unique scenes
How to apply watercolour washes
Nicholas Poullis continues his series on painting pure watercolour with a look at mastering watercolour techniques and how to apply them
OPEN Competitions, Exhibitions & Opportunities2021
These listings are in chronological order according
On your marks …
The work of Danny Byrne may be familiar to many of
How to capture a likeness in a portrait
A portrait can one be of the trickiest subjects to
Express yourself in graphite
Robert Dutton demonstrates how to create dramatic landscapes in the studio, working from a plein-air location drawing
Using liquid graphite
Robert Dutton demonstrates how to create an expressive landscape using liquid graphite
Using water-soluble coloured graphite
Traditionally, pure graphite - and charcoal - have
Cadmium-free oil colours you will love
Jenny Aitken puts the new Winsor & Newton Cadmium-Free Artists’ Oil Colour to the test. Her conclusion? She can’t tell the difference - the colours are just as vibrant and buttery as those of the cadmium versions she’s used
Portrait photographs and backgrounds
Ann Witheridge begins a new series in which she looks at how we can change our portraits into paintings, starting with advice on dealing with backgrounds and working from life and photographs
Fresh and fluid
Carole Griffin demonstrates how to paint roses in watercolour, keeping the colours fresh and lively
Watercolours: inks, pans or tubes?
Milly England compares the use and finish of watercolours in pan, tube and ink form to see which provides the most satisfactory result
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