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Art & Photography

ArtReview Asia Magazine

4 issues per year   |  English
0 Reviews   •  English   •   Art & Photography (Art)
From $5.00 per issue
Founded in 2013 to cover art from the various perspectives at play across the world’s largest continent, ArtReview Asia is dedicated to challenging established views and exploring the contingent and contested in art. From eastern Turkey to eastern Japan (and everywhere up, down and in between), the magazine looks at gaps and blind spots, charting the ways in which artists are responding to local contexts and the evolving challenges of the present. At its heart, ArtReview Asia is both marking and shaping the pathways of alternative and non-Western art.
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ArtReview Asia

Autumn 2025 In the Autumn issue of ArtReview Asia, Max Crosbie-Jones explores how the artist Araya Rasdjarmrearnsook keeps trying to leave the artworld, and her work on mortality, feminism and dogs; Mark Rappolt interviews Sri Lankan artist and activist Pushpakanthan Pakkiyarajah, about war, landscape and how ‘everything is connected’; Adeline Chia examines how a rehang of the National Gallery Singapore reflects on the country’s 60th anniversary of independence; Oliver Basciano writes about how Naeem Mohaiemen’s new film deconstructs media narratives from the past, and what it offers us for the present; and Mikala Tai maps the aspects of horror film that shape the First Nations women that haunt Hayley Millar Baker’s new work. Also in the Autumn issue: a new artist project by Lakshmi Nivas Collective, Landscape Lexicon, the rise of female wuxia writers, Mark Rappolt annotates Victorian naturalist Alfred Russel Wallace’s 1860s writings from the Malay Archipelago, plus exhibition and book reviews.


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ArtReview Asia issue Autumn 2025

ArtReview Asia  |  Autumn 2025  


In the Autumn issue of ArtReview Asia, Max Crosbie-Jones explores how the artist Araya Rasdjarmrearnsook keeps trying to leave the artworld, and her work on mortality, feminism and dogs; Mark Rappolt interviews Sri Lankan artist and activist Pushpakanthan Pakkiyarajah, about war, landscape and how ‘everything is connected’; Adeline Chia examines how a rehang of the National Gallery Singapore reflects on the country’s 60th anniversary of independence; Oliver Basciano writes about how Naeem Mohaiemen’s new film deconstructs media narratives from the past, and what it offers us for the present; and Mikala Tai maps the aspects of horror film that shape the First Nations women that haunt Hayley Millar Baker’s new work. Also in the Autumn issue: a new artist project by Lakshmi Nivas Collective, Landscape Lexicon, the rise of female wuxia writers, Mark Rappolt annotates Victorian naturalist Alfred Russel Wallace’s 1860s writings from the Malay Archipelago, plus exhibition and book reviews.
read more read less
Founded in 2013 to cover art from the various perspectives at play across the world’s largest continent, ArtReview Asia is dedicated to challenging established views and exploring the contingent and contested in art. From eastern Turkey to eastern Japan (and everywhere up, down and in between), the magazine looks at gaps and blind spots, charting the ways in which artists are responding to local contexts and the evolving challenges of the present. At its heart, ArtReview Asia is both marking and shaping the pathways of alternative and non-Western art.

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Articles in this issue


Below is a selection of articles in ArtReview Asia Autumn 2025.

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