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ArtReview Asia Magazine Summer 2024 Back Issue

English
0 Reviews   •  English   •   Art & Photography (Art)
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In the Summer issue of ArtReview Asia, Kawita Vatanajyankur invites us to objectify her body in the service of a larger point about objectification, one that makes use of domestic scenes coated in a candy-flavoured layer of horror. Cheng Xinhao’s explorations of his home province of Yunnan entail feats of endurance; his medium is his body, he says, for the way it reveals connections between ‘events and the landscape, the image and history’. The Vietnam-based collective Art Labor works extensively with artists based in their country’s Central Highlands – ArtReview Asia looks at the ways the group’s interventions provide new models for collaboration. Also in this issue: an interview with Tibetan photographer Tenzing Dakpa, columns on the disruptive power of love ballads and carnivals, exhibition previews and reviews, the backstory of Qiao Guo and a hidden artist intervention.
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ArtReview Asia

Summer 2024 In the Summer issue of ArtReview Asia, Kawita Vatanajyankur invites us to objectify her body in the service of a larger point about objectification, one that makes use of domestic scenes coated in a candy-flavoured layer of horror. Cheng Xinhao’s explorations of his home province of Yunnan entail feats of endurance; his medium is his body, he says, for the way it reveals connections between ‘events and the landscape, the image and history’. The Vietnam-based collective Art Labor works extensively with artists based in their country’s Central Highlands – ArtReview Asia looks at the ways the group’s interventions provide new models for collaboration. Also in this issue: an interview with Tibetan photographer Tenzing Dakpa, columns on the disruptive power of love ballads and carnivals, exhibition previews and reviews, the backstory of Qiao Guo and a hidden artist intervention.


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ArtReview Asia issue Summer 2024

ArtReview Asia  |  Summer 2024  


In the Summer issue of ArtReview Asia, Kawita Vatanajyankur invites us to objectify her body in the service of a larger point about objectification, one that makes use of domestic scenes coated in a candy-flavoured layer of horror. Cheng Xinhao’s explorations of his home province of Yunnan entail feats of endurance; his medium is his body, he says, for the way it reveals connections between ‘events and the landscape, the image and history’. The Vietnam-based collective Art Labor works extensively with artists based in their country’s Central Highlands – ArtReview Asia looks at the ways the group’s interventions provide new models for collaboration. Also in this issue: an interview with Tibetan photographer Tenzing Dakpa, columns on the disruptive power of love ballads and carnivals, exhibition previews and reviews, the backstory of Qiao Guo and a hidden artist intervention.
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Founded in 2013 to cover art from the various perspectives at play across the world’s largest continent, ArtReview Asia is dedicated to challenging established views and exploring the contingent and contested in art. From eastern Turkey to eastern Japan (and everywhere up, down and in between), the magazine looks at gaps and blind spots, charting the ways in which artists are responding to local contexts and the evolving challenges of the present. At its heart, ArtReview Asia is both marking and shaping the pathways of alternative and non-Western art.

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Articles in this issue


Below is a selection of articles in ArtReview Asia Summer 2024.

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