Learn from the best
In the hyper-fast world of film, television and video game development, composers rarely have the chance to live with a project for long periods of time. More often than not, soundtracks are recorded during the final stages of production, and composers are enlisted to turn around their cues within the tightest deadline. A more music-centric project might involve a composer from the very early stages, allowing them to gradually develop themes and musical ideas that grow over time. While that approach would be attractive for many, it’s not unwise for jobbing composers to already have banks of mood-aligned themes, melodies and cues ready-to-go. We’re going to assume you’ve accepted a more conventional film soundtracking brief for this first section.